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Today's Stichomancy for Pancho Villa

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tristram Shandy by Laurence Sterne:

both--&c. &c. &c.--He so contrived his story, as absolutely to forget the heroine of it--and with her the little novice, and what was a more ticklish point to be forgot than both--the two mules; who being creatures that take advantage of the world, inasmuch as their parents took it of them--and they not being in a condition to return the obligation downwards (as men and women and beasts are)--they do it side-ways, and long-ways, and back-ways-- and up hill, and down hill, and which way they can.--Philosophers, with all their ethicks, have never considered this rightly--how should the poor muleteer, then in his cups, consider it at all? he did not in the least-- 'tis time we do; let us leave him then in the vortex of his element, the happiest and most thoughtless of mortal men--and for a moment let us look

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Poems of William Blake by William Blake:

Dolors & lamentations: waiting oft beside the dewy grave She stood in silence, listning to the voices of the ground, Till to her own grave plot she came, & there she sat down. And heard this voice of sorrow breathed from the hollow pit.

Why cannot the Ear be closed to its own destruction? Or the glistening Eye to the poison of a smile! Why are Eyelids stord with arrows ready drawn, Where a thousand fighting men in ambush lie! Or an Eye of gifts & graces showring fruits & coined gold!

Why a Tongue impress'd with honey from every wind? Why an Ear, a whirlpool fierce to draw creations in?


Poems of William Blake
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Crisis in Russia by Arthur Ransome:

food, forage and finally labor. Even when wood is brought by river the trouble is not yet overcome. The horses are dead and eaten or starved and weak. Factories have to cease working so that the workmen, themselves underfed, can drag the wood from the barges to the mills. It may well be imagined what the effect of hunger, cold, and the disheartenment consequent on such conditions of work and the seeming hopelessness of the position have on the productivity of labor, the fall in which reacts on all the industries, on transport, on the general situation and so again

on itself.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Insidious Dr. Fu-Manchu by Sax Rohmer:

The surrounded mansion was in flames!

"Curse it!" rapped Smith. "So this time we were right. But, of course, he has had ample opportunity to remove his effects. I knew that. The man's daring is incredible. He has given himself till the very last moment--and we blundered upon two of the outposts."

"I lost one."

"No matter. We have the other. I expect no further arrests, and the house will have been so well fired by the Doctor's servants that nothing can save it. I fear its ashes will afford us no clew, Petrie; but we have secured a lever which should serve to disturb Fu-Manchu's world."


The Insidious Dr. Fu-Manchu