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Today's Stichomancy for Paul McCartney

The first excerpt represents the past or something you must release, and is drawn from The Purse by Honore de Balzac:

his friends. It seemed to him that Adelaide and her mother must be superior to these accusations, and at the bottom of his heart he was filled with remorse for having suspected the purity of this beautiful and simple girl. He went to his studio, passing the door of the rooms where Adelaide was, and conscious of a pain at his heart which no man can misapprehend. He loved Mademoiselle de Rouville so passionately that, in spite of the theft of the purse, he still worshiped her. His love was that of the Chevalier des Grieux admiring his mistress, and holding her as pure, even on the cart which carries such lost creatures to prison. "Why should not my love keep her the purest of women? Why abandon her

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Eighteenth Brumaire of Louis Bonaparte by Karl Marx:

democrats, of the Communists, rose daily, together with their own discredit, and in the same measure as they approached the completion of their legislative work of art, without Thetis having for this purpose to leave the sea and impart the secret to them. They ought to outwit fate by means of constitutional artifice, through Section 111 of the Constitution, according to which every motion to revise the Constitution had to be discussed three successive times between each of which a full month was to elapse and required at least a three-fourths majority, with the additional proviso that not less than 500 members of the National Assembly voted. They thereby only made the impotent attempt, still to exercise as a parliamentary minority, to which in their mind's eye they

The third excerpt represents the future or something you must embrace, and is drawn from Sons of the Soil by Honore de Balzac:

murder Rigou to get them back. He loves a crime as he does a pleasure."

"I have seen enough for to-day; take me home, gentlemen," murmured the countess, putting her hand on Emile's arm.

She bowed sadly to Madame Michaud, after watching La Pechina safely back to the pavilion. Olympe's depression was transferred to her mistress.

"Ah, madame," said the abbe, as they continued their way, "can it be that the difficulty of doing good is about to deter you? For the last five years I have slept on a pallet in a parsonage which has no furniture; I say mass in a church without believers; I preach to no