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Today's Stichomancy for Penelope Cruz

The first excerpt represents the past or something you must release, and is drawn from Bucky O'Connor by William MacLeod Raine:

Bucky, if I could only die for you!"

"Don't give up, little friend. I don't. Somehow I'll slip out, and then you'll have to live for me and not die for me."

"What is it that the governor wants you to say that you won't?"

"Oh, he wants me to sell our friends. I told him to go climb a giant cactus."

"Of course you couldn't do that," she sighed regretfully.

He laughed. "Well, hardly, and call myself a white man."

"But--" She blanched at the alternative. "Oh, Bucky, we must do something. We must-- we must."

"It ain't so bad as it looks, honey. You want to remember that

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Adventures of Tom Sawyer by Mark Twain:

worn with ostentation for months.

CHAPTER VII

THE harder Tom tried to fasten his mind on his book, the more his ideas wandered. So at last, with a sigh and a yawn, he gave it up. It seemed to him that the noon recess would never come. The air was utterly dead. There was not a breath stirring. It was the sleepiest of sleepy days. The drowsing murmur of the five and twenty studying scholars soothed the soul like the spell that is in the


The Adventures of Tom Sawyer
The third excerpt represents the future or something you must embrace, and is drawn from The Octopus by Frank Norris:

But the barn was filling up rapidly. At every moment there was a rattle of a newly arrived vehicle from outside. Guest after guest appeared in the doorway, singly or in couples, or in families, or in garrulous parties of five and six. Now it was Phelps and his mother from Los Muertos, now a foreman from Broderson's with his family, now a gayly apparelled clerk from a Bonneville store, solitary and bewildered, looking for a place to put his hat, now a couple of Spanish-Mexican girls from Guadalajara with coquettish effects of black and yellow about their dress, now a group of Osterman's tenants, Portuguese, swarthy, with plastered hair and curled mustaches, redolent of