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Today's Stichomancy for Peter Gabriel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Narrative of the Life of Frederick Douglass: An American Slave by Frederick Douglass:

CHAPTER VII I lived in Master Hugh's family about seven years. During this time, I succeeded in learning to read and write. In accomplishing this, I was compelled to re- sort to various stratagems. I had no regular teacher. My mistress, who had kindly commenced to instruct


The Narrative of the Life of Frederick Douglass: An American Slave
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dream Life and Real Life by Olive Schreiner:

among them, and there were no less than six kippersol trees scattered here and there among the broken kopjes. In the rocks there were hundreds of homes for the conies, and from the crevices wild asparagus hung down. She ran to the river, bathed in the clear cold water, and tossed it over her head. She sang aloud. All the songs she knew were sad, so she could not sing them now, she was glad, she was so free; but she sang the notes without the words, as the cock-o-veets do. Singing and jumping all the way, she went back, and took a sharp stone, and cut at the root of a kippersol, and got out a large piece, as long as her arm, and sat to chew it. Two conies came out on the rock above her head and peeped at her. She held them out a piece, but they did not want it, and ran away.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Lamentable Tragedy of Locrine and Mucedorus by William Shakespeare:

Amadine and the shepherd?

MOUSE. And I have been through the woods, and through the woods, and could see nothing but an emet.

ROMBELO. Why, I see thousand emets; thou meanest a little one?

MOUSE. Nay, that emet that I saw was bigger than thou art.

ROMBELO. Bigger than I? what a fool have you to your man: I pray you, master, turn him away.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Horse's Tale by Mark Twain:

towards the plain and the blue mountains with the longing in her eyes, I have to throw open the prison doors; I can't help it. A quaint little scholar she is, and makes plenty of blunders. Once I put the question:

"What does the Czar govern?"

She rested her elbow on her knee and her chin on her hand and took that problem under deep consideration. Presently she looked up and answered, with a rising inflection implying a shade of uncertainty,

"The dative case?"

Here are a couple of her expositions which were delivered with tranquil confidence: