| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Four Arthurian Romances by Chretien DeTroyes: among the fallow deer, when he is impelled by need and hunger.
Then, too, all our other knights are more brave and daring
because of him, for, were it not for him alone, not a lance would
have been splintered nor a sword drawn to strike. When such an
excellent man is found he ought to be loved and dearly prized.
See now how he proves himself, see how he maintains his place,
see how he stains with blood his lance and bare sword, see how he
presses the enemy and follows them up, how he comes boldly to
attack them, then gives away and turns about; but he spends
little time in giving away, and soon returns to the attack. See
him in the fray again, how lightly he esteems his shield, which
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Peter Pan by James M. Barrie: It was at this moment that Ed Teynte the quartermaster emerged
from the forecastle and came along the deck. Now, reader, time
what happened by your watch. Peter struck true and deep. John
clapped his hands on the ill-fated pirate's mouth to stifle the
dying groan. He fell forward. Four boys caught him to prevent
the thud. Peter gave the signal, and the carrion was cast
overboard. There was a splash, and then silence. How long has
it taken?
"One!" (Slightly had begun to count.)
None too soon, Peter, every inch of him on tiptoe, vanished
into the cabin; for more than one pirate was screwing up his
 Peter Pan |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Louis Lambert by Honore de Balzac: Louis. Good Monsieur Lefebvre would not hear of my lodging anywhere
but at his house, where he showed me his nephew's room with the books
and all else that had belonged to him. At every turn the old man could
not suppress some mournful exclamation, showing what hopes Louis'
precocious genius had raised, and the terrible grief into which this
irreparable ruin had plunged him.
"That young fellow knew everything, my dear sir!" said he, laying on
the table a volume containing Spinoza's works. "How could so well
organized a brain go astray?"
"Indeed, monsieur," said I, "was it not perhaps the result of its
being so highly organized? If he really is a victim to the malady as
 Louis Lambert |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Figure in the Carpet by Henry James: "It's you, Miss Erme, who are a 'dear' for bringing me such news!"
- I went all lengths in my high spirits. "But fancy finding our
goddess in the temple of Vishnu! How strange of George to have
been able to go into the thing again in the midst of such different
and such powerful solicitations!"
"He hasn't gone into it, I know; it's the thing itself, let
severely alone for six months, that has simply sprung out at him
like a tigress out of the jungle. He didn't take a book with him -
on purpose; indeed he wouldn't have needed to - he knows every
page, as I do, by heart. They all worked in him together, and some
day somewhere, when he wasn't thinking, they fell, in all their
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