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Today's Stichomancy for Peter Gabriel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Fairy Tales by Hans Christian Andersen:

feeling and the thought till they can be embodied by means of words; a faculty which the others do not possess. But the transition from a commonplace nature to one that is richly endowed, demands always a more or less breakneck leap over a certain abyss which yawns threateningly below; and thus must the sudden change with the clerk strike the reader.

"The sweet air!" continued he of the police-office, in his dreamy imaginings; "how it reminds me of the violets in the garden of my aunt Magdalena! Yes, then I was a little wild boy, who did not go to school very regularly. O heavens! 'tis a long time since I have thought on those times. The good old soul! She lived behind the Exchange. She always had a few twigs or green shoots in water--let the winter rage without as it might. The violets exhaled


Fairy Tales
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Message by Honore de Balzac:

things slip past unheeded--there you have the man!

But the Countess! Ah, how sharp and startling the contrast between husband and wife! The Countess was a little woman, with a flat, graceful figure and enchanting shape; so fragile, so dainty was she, that you would have feared to break some bone if you so much as touched her. She wore a white muslin dress, a rose- colored sash, and rose-colored ribbons in the pretty cap on her head; her chemisette was moulded so deliciously by her shoulders and the loveliest rounded contours, that the sight of her awakened an irresistible desire of possession in the depths of the heart. Her eyes were bright and dark and expressive, her

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Divine Comedy (translated by H.F. Cary) by Dante Alighieri:

Which he with sound obscene triumphant gave.

CANTO XXII

IT hath been heretofore my chance to see Horsemen with martial order shifting camp, To onset sallying, or in muster rang'd, Or in retreat sometimes outstretch'd for flight; Light-armed squadrons and fleet foragers Scouring thy plains, Arezzo! have I seen, And clashing tournaments, and tilting jousts, Now with the sound of trumpets, now of bells, Tabors, or signals made from castled heights,


The Divine Comedy (translated by H.F. Cary)
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from An Episode Under the Terror by Honore de Balzac:

superfluous, and all the grandeur of God proceeds from Himself alone.

The stranger's fervor was sincere. One emotion blended the prayers of the four servants of God and the King in a single supplication. The holy words rang like the music of heaven through the silence. At one moment, tears gathered in the stranger's eyes. This was during the Pater Noster; for the priest added a petition in Latin, and his audience doubtless understood him when he said: "Et remitte scelus regicidis sicut Ludovicus eis remisit semetipse"--forgive the regicides as Louis himself forgave them.

The Sisters saw two great tears trace a channel down the stranger's manly checks and fall to the floor. Then the office for the dead was