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Today's Stichomancy for Peter Jackson

The first excerpt represents the past or something you must release, and is drawn from The Adventures of Tom Sawyer by Mark Twain:

they came to recite their lessons, not one of them knew his verses perfectly, but had to be prompted all along. However, they worried through, and each got his reward -- in small blue tickets, each with a passage of Scripture on it; each blue ticket was pay for two verses of the recitation. Ten blue tickets equalled a red one, and could be exchanged for it; ten red tickets equalled a yellow one; for ten yellow tickets the superintendent gave a very plainly bound Bible (worth forty cents in those easy times) to the pupil. How many of my readers would have the industry and application to


The Adventures of Tom Sawyer
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Warlord of Mars by Edgar Rice Burroughs:

In the mouth of the narrow spiral but a single warrior could attack me at a time, so that I had little difficulty in holding them all back for the brief moment that was necessary. Then, backing slowly before them, I commenced the ascent of the spiral. All the long way to the tower's top the guardsmen pressed me closely. When one went down before my sword another scrambled over the dead man to take his place; and thus, taking an awful toll with each few feet gained, I came to the spacious glass-walled watchtower of Kadabra.


The Warlord of Mars
The third excerpt represents the future or something you must embrace, and is drawn from The Alkahest by Honore de Balzac:

with a flowered black design, lined with white silk; the furniture, covered with the same material, had been renovated in the time of Louis XIV. The floor, evidently modern, was laid in large squares of white wood bordered with strips of oak. The ceiling, formed of many oval panels, in each of which Van Huysum had carved a grotesque mask, had been respected and allowed to keep the brown tones of the native Dutch oak.

In the four corners of this parlor were truncated columns, supporting candelabra exactly like those on the mantle-shelf; and a round table stood in the middle of the room. Along the walls card-tables were symmetrically placed. On two gilded consoles with marble slabs there