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Today's Stichomancy for Peter Sellers

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Last War: A World Set Free by H. G. Wells:

the natural strength and bodily weapons of a beast by the heat of burning and the rough implement of stone. So he passed beyond the ape. From that he expands. Presently he added to himself the power of the horse and the ox, he borrowed the carrying strength of water and the driving force of the wind, he quickened his fire by blowing, and his simple tools, pointed first with copper and then with iron, increased and varied and became more elaborate and efficient. He sheltered his heat in houses and made his way easier by paths and roads. He complicated his social relationships and increased his efficiency by the division of labour. He began to store up knowledge. Contrivance followed


The Last War: A World Set Free
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Betty Zane by Zane Grey:

and went after Mr. Gobbler himself."

"Is that all? Well, that is nothing to get alarmed about, is it? I actually had a feeling of fear, or a presentiment, we might say."

They beached the canoe and spread out the lunch in the shade near the spring. Alfred threw himself at length upon the grass and Betty sat leaning against the tree. She took a biscuit in one hand, a pickle in the other, and began to chat volubly to Alfred of her school life, and of Philadelphia, and the friends she had made there. At length, remarking his abstraction, she said: "You are not listening to me."

"I beg your pardon. My thoughts did wander. I was thinking of my mother. Something about you reminds me of her. I do not know what, unless it is that


Betty Zane
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

unrelieved by any of that half-pleasureable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me--upon the mere house, and the simple landscape features of the domain--upon the bleak walls--upon the vacant eye-like windows--upon a few rank sedges--and upon a few white trunks of decayed trees--with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium--the bitter lapse into everyday life--the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart--an unredeemed


The Fall of the House of Usher
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from St. Ives by Robert Louis Stevenson:

that I was not far from the end of my own resources. I began to be light-headed and to be tempted to let go, - now arguing that I was certainly arrived within a few feet of the level and could safely risk a fall, anon persuaded I was still close at the top and it was idle to continue longer on the rock. In the midst of which I came to a bearing on plain ground, and had nearly wept aloud. My hands were as good as flayed, my courage entirely exhausted, and, what with the long strain and the sudden relief, my limbs shook under me with more than the violence of ague, and I was glad to cling to the rope.

But this was no time to give way. I had (by God's single mercy)