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Today's Stichomancy for Phil Mickelson

The first excerpt represents the past or something you must release, and is drawn from Resurrection by Leo Tolstoy:

the truth of Maslova's statements that Botchkova and Kartinkin were with her when she took the money, laying great stress on the point that her evidence could not be accepted, she being charged with poisoning. "The 2,500 roubles," the advocate said, "could have been easily earned by two honest people getting from three to five roubles per day in tips from the lodgers. The merchant's money was stolen by Maslova and given away, or even lost, as she was not in a normal state."

The poisoning was committed by Maslova alone; therefore he begged the jury to acquit Kartinkin and Botchkova of stealing the money; or if they could not acquit them of the theft, at least to admit


Resurrection
The second excerpt represents the present or the deciding factor of the moment, and is drawn from 1984 by George Orwell:

nearer to her.

'I didn't want to say anything in the lane,' she went on, 'in case there's a mike hidden there. I don't suppose there is, but there could be. There's always the chance of one of those swine recognizing your voice. We're all right here.'

He still had not the courage to approach her. 'We're all right here?' he repeated stupidly.

'Yes. Look at the trees.' They were small ashes, which at some time had been cut down and had sprouted up again into a forest of poles, none of them thicker than one's wrist. 'There's nothing big enough to hide a mike in. Besides, I've been here before.'


1984
The third excerpt represents the future or something you must embrace, and is drawn from Allan Quatermain by H. Rider Haggard:

him straight over the parapet of the bridge, to be crushed to powder on the rocks two hundred feet below.

The succour which had been summoned by the girl who had passed down the stair before the assassins passed up was at hand, and the loud shouts which reached us from the outer gates told us that the town was also aroused, and the men awakened by the women were calling to be admitted. Some of Nyleptha's brave ladies, who in their night-shifts and with their long hair streaming down their backs, just as they had been aroused from rest, went off to admit them at the side entrance, whilst others, assisted by the rescuing party outside, pushed and pulled down the marble


Allan Quatermain