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Today's Stichomancy for Phil Mickelson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Return of the Native by Thomas Hardy:

He could not bear to remain in the presence of enjoyment today, though he had tried hard.

Nothing was seen of him for four hours. When he came back by the same path it was dusk, and the dews were coating every green thing. The boisterous music had ceased; but, entering the premises as he did from behind, he could not see if the May party had all gone till he had passed through Thomasin's division of the house to the front door. Thomasin was standing within the porch alone.

She looked at him reproachfully. "You went away just when it began, Clym," she said.


Return of the Native
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Phaedo by Plato:

harmony within another? But the soul does not admit of degrees, and cannot therefore be more or less harmonized. Further, the soul is often engaged in resisting the affections of the body, as Homer describes Odysseus 'rebuking his heart.' Could he have written this under the idea that the soul is a harmony of the body? Nay rather, are we not contradicting Homer and ourselves in affirming anything of the sort?

The goddess Harmonia, as Socrates playfully terms the argument of Simmias, has been happily disposed of; and now an answer has to be given to the Theban Cadmus. Socrates recapitulates the argument of Cebes, which, as he remarks, involves the whole question of natural growth or causation; about this he proposes to narrate his own mental experience. When he was young

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Agesilaus by Xenophon:

who attained the fullest term of mortal life and died without offence[4] committed, whether as concerning those at whose head he marched, or as towards those others against whom he fought in war.

[3] See Symonds' "Greek Poets," ch. v.

[4] As to the word {anamartetos} so translated, see Breitenbach, Exc. ad x. 4 of his edition.

XI

It only remains for me, under the form of headings,[1] to review the topic of this great man's virtue, in hopes that thus his eulogy may cling to the memory more lastingly.

[1] Or, as others think, "in a summary."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Camille by Alexandre Dumas:

first to raise a corner of the mysterious veil!

But to be really loved by a courtesan: that is a victory of infinitely greater difficulty. With them the body has worn out the soul, the senses have burned up the heart, dissipation has blunted the feelings. They have long known the words that we say to them, the means we use; they have sold the love that they inspire. They love by profession, and not by instinct. They are guarded better by their calculations than a virgin by her mother and her convent; and they have invented the word caprice for that unbartered love which they allow themselves from time to time, for a rest, for an excuse, for a consolation, like usurers, who


Camille