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Today's Stichomancy for Phil Mickelson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Egmont by Johann Wolfgang Von Goethe:

with what we have.

Egmont. Your good-will is the best seasoning.

[Exit Mother.

Clara. And what then is my love?

Egmont. Just what thou wilt.

Clara. Liken it to anything, if you have the heart.

Egmont. But first. (He flings aside his mantle, and appears arrayed in a magnificent dress.)

Clara. Oh heavens!

Egmont. Now my arms are free! (Embraces her.)


Egmont
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Macbeth by William Shakespeare:

Speake, I charge you.

Witches vanish.

Banq. The Earth hath bubbles, as the Water ha's, And these are of them: whither are they vanish'd? Macb. Into the Ayre: and what seem'd corporall, Melted, as breath into the Winde. Would they had stay'd

Banq. Were such things here, as we doe speake about? Or haue we eaten on the insane Root, That takes the Reason Prisoner? Macb. Your Children shall be Kings


Macbeth
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Pool of Blood in the Pastor's Study by Grace Isabel Colbron and Augusta Groner:

from his chair.

"Yes, I have heard everything," answered the venerable head of the asylum. He was utterly crushed by the realisation that all this tragedy and horror had gone out from his house.

Varna rose also. He understood perfectly that now Gyuri's power was at an end and he was as pleased as a child that has just received a present. "And now you're going to shoot him?" he asked, in the tone a boy would use if asking when the fireworks were to begin.

Muller shook. his head. "No, my dear Cardillac," he replied gravely. "He will not be shot - that is a death for a brave

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Gods of Mars by Edgar Rice Burroughs:

surrounding a little group of perhaps five or six green men and women of Barsoom.

That I was indeed upon Mars I now had no doubt, for here were members of the wild hordes that people the dead sea bottoms and deserted cities of that dying planet.

Here were the great males towering in all the majesty of their imposing height; here were the gleaming white tusks protruding from their massive lower jaws to a point near the centre of their foreheads, the laterally placed, protruding eyes with which they could look forward or backward, or to either side without turning their heads, here the strange


The Gods of Mars