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Today's Stichomancy for Pierce Brosnan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from On the Origin of Species by Charles Darwin:

Candolle has remarked that winged seeds are never found in fruits which do not open: I should explain the rule by the fact that seeds could not gradually become winged through natural selection, except in fruits which opened; so that the individual plants producing seeds which were a little better fitted to be wafted further, might get an advantage over those producing seed less fitted for dispersal; and this process could not possibly go on in fruit which did not open.

The elder Geoffroy and Goethe propounded, at about the same period, their law of compensation or balancement of growth; or, as Goethe expressed it, 'in order to spend on one side, nature is forced to economise on the other side.' I think this holds true to a certain extent with our domestic


On the Origin of Species
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from House of Seven Gables by Nathaniel Hawthorne:

ungenial one. The guest made an impatient gesture of the hand, and addressed Hepzibah with what might easily be recognized as the licensed irritability of a petted member of the family.

"Hepzibah!--Hepzibah!" cried he with no little force and distinctness, "why do you keep that odious picture on the wall? Yes, yes!--that is precisely your taste! I have told you, a thousand times, that it was the evil genius of the house!--my evil genius particularly! Take it down, at once!"

"Dear Clifford," said Hepzibah sadly, "you know it cannot be!"

"Then, at all events," continued he, still speaking with some energy,"pray cover it with a crimson curtain, broad enough to


House of Seven Gables
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Venus and Adonis by William Shakespeare:

Shall cool the heat of this descending sun: I'll make a shadow for thee of my hairs; 191 If they burn too, I'll quench them with my tears.

'The sun that shines from heaven shines but warm, And lo! I lie between that sun and thee: The heat I have from thence doth little harm, Thine eye darts forth the fire that burneth me; 196 And were I not immortal, life were done Between this heavenly and earthly sun.

'Art thou obdurate, flinty, hard as steel? Nay, more than flint, for stone at rain relenteth: 200

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Treatise on Parents and Children by George Bernard Shaw:

ideal is a humbug and a nuisance: one might as reasonably talk of the barrack ideal, or the forecastle ideal, or any other substitution of the machinery of social organization for the end of it, which must always be the fullest and most capable life: in short, the most godly life. And this significant word reminds us that though the popular conception of heaven includes a Holy Family, it does not attach to that family the notion of a separate home, or a private nursery or kitchen or mother-in-law, or anything that constitutes the family as we know it. Even blood relationship is miraculously abstracted from it; and the Father is the father of all children, the mother the mother of all mothers and babies, and the Son the Son of Man and the