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Today's Stichomancy for Pol Pot

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Rape of Lucrece by William Shakespeare:

Seasoning the earth with showers of silver brine, Mingling my talk with tears, my grief with groans, Poor wasting monuments of lasting moans.

'O night, thou furnace of foul-reeking smoke, Let not the jealous day behold that face Which underneath thy black all-hiding cloak Immodesty lies martyr'd with disgrace! Keep still possession of thy gloomy place, That all the faults which in thy reign are made, May likewise be sepulchred in thy shade!

'Make me not object to the tell-tale day!

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Art of Writing by Robert Louis Stevenson:

disclosures which seem fatal to the dignity of art seem so perhaps only in the proportion of our ignorance; and those conscious and unconscious artifices which it seems unworthy of the serious artist to employ were yet, if we had the power to trace them to their springs, indications of a delicacy of the sense finer than we conceive, and hints of ancient harmonies in nature. This ignorance at least is largely irremediable. We shall never learn the affinities of beauty, for they lie too deep in nature and too far back in the mysterious history of man. The amateur, in consequence, will always grudgingly receive details of method, which can be

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Footnote to History by Robert Louis Stevenson:

the eggs warm for himself. When the KAIMILOA steamed out of Apia on this visit, the German war-ship ADLER followed at her heels; and Mataafa was no sooner set down with the embassy than he was summoned and ordered on board by two German officers. The step is one of those triumphs of temper which can only be admired. Mataafa is entertaining the plenipotentiary of a sovereign power in treaty with his own king, and the captain of a German corvette orders him to quit his guests.

But there was worse to come. I gather that Tamasese was at the time in the sulks. He had doubtless been promised prompt aid and a prompt success; he had seen himself surreptitiously helped,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson:

not only in the fear of one of those obstacles that can neither be prevented nor foreseen, but because an hour when your servants are in bed is to be preferred for what will then remain to do. At midnight, then, I have to ask you to be alone in your consulting room, to admit with your own hand into the house a man who will present himself in my name, and to place in his hands the drawer that you will have brought with you from my cabinet. Then you will have played your part and earned my gratitude completely. Five minutes afterwards, if you insist upon an explanation, you will have understood that these arrangements are of capital importance; and that by the neglect of one of them, fantastic as


The Strange Case of Dr. Jekyll and Mr. Hyde