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Today's Stichomancy for Pol Pot

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Princess of Parms by Edgar Rice Burroughs:

In the instant that these thoughts passed through my mind I had turned to make for the window, but my eyes alighting on the form of my erstwhile guardian threw all thoughts of flight to the four winds. He lay gasping upon the floor of the chamber, his great eyes fastened upon me in what seemed a pitiful appeal for protection. I could not withstand that look, nor could I, on second thought, have deserted my rescuer without giving as good an account of myself in his behalf as he had in mine.

Without more ado, therefore, I turned to meet the charge of the infuriated bull ape. He was now too close upon me for

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Arrow of Gold by Joseph Conrad:

doubtless in good condition. The French custom-house men were guarding the wreck. If their vigilance could be - h'm - removed by some means, or even merely reduced, a lot of these rifles and cartridges could be taken off quietly at night by certain Spanish fishing boats. In fact, salved for the Carlists, after all. He thought it could be done. . . .

I said with professional gravity that given a few perfectly quiet nights (rare on that coast) it could certainly be done.

Mr. Mills was not afraid of the elements. It was the highly inconvenient zeal of the French custom-house people that had to be dealt with in some way.


The Arrow of Gold
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from La Grande Breteche by Honore de Balzac:

we divine the history of a worthy tradesman when we read the epitaph on his tomb. To complete the mournful and tender impressions which seize the soul, on one of the walls there is a sundial graced with this homely Christian motto, '/Ultimam cogita/.'

"The roof of this house is dreadfully dilapidated; the outside shutters are always closed; the balconies are hung with swallows' nests; the doors are for ever shut. Straggling grasses have outlined the flagstones of the steps with green; the ironwork is rusty. Moon and sun, winter, summer, and snow have eaten into the wood, warped the boards, peeled off the paint. The dreary silence is broken only by birds and cats, polecats, rats, and mice, free to scamper round, and


La Grande Breteche
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from God The Invisible King by H. G. Wells:

secondary matter that I am convinced that this trend of intelligent opinion is a discovery of truth. The reader is told of my own belief merely to avoid an affectation of impartiality and aloofness.

The theogony here set forth is ancient; one can trace it appearing and disappearing and recurring in the mutilated records of many different schools of speculation; the conception of God as finite is one that has been discussed very illuminatingly in recent years in the work of one I am happy to write of as my friend and master, that very great American, the late William James. It was an idea that became increasingly important to him towards the end of his life. And it is the most releasing idea in the system.