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Today's Stichomancy for Rachel Weisz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ion by Plato:

actions of men; but like yourself when speaking about Homer, they do not speak of them by any rules of art: they are simply inspired to utter that to which the Muse impels them, and that only; and when inspired, one of them will make dithyrambs, another hymns of praise, another choral strains, another epic or iambic verses--and he who is good at one is not good at any other kind of verse: for not by art does the poet sing, but by power divine. Had he learned by rules of art, he would have known how to speak not of one theme only, but of all; and therefore God takes away the minds of poets, and uses them as his ministers, as he also uses diviners and holy prophets, in order that we who hear them may know them to be speaking not of themselves who utter these priceless words in a state of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Call of the Canyon by Zane Grey:

that sharp crag way up there on the rim."

"Poor little piggy!" exclaimed Carley. "To think of our American emblem--our stately bird of noble warlike mien--our symbol of lonely grandeur and freedom of the heights--think of him being a robber of pigpens!--Glenn, I begin to appreciate the many-sidedness of things. Even my hide-bound narrowness is susceptible to change. It's never too late to learn. This should apply to the Society for the Preservation of the American Eagle."

Glenn led her along the base of the wall to three other pens, in each of which was a fat old sow with a litter. And at the last enclosure, that owing to dry soil was not so dirty, Glenn picked up a little pig and held it squealing out to Carley as she leaned over the fence. It was fairly


The Call of the Canyon
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Connecticut Yankee in King Arthur's Court by Mark Twain:

anything a body wanted -- anything in the world, it didn't make any difference what; and if there wasn't any quick new-fangled way to make a thing, I could invent one -- and do it as easy as rolling off a log. I became head superintendent; had a couple of thou- sand men under me.

Well, a man like that is a man that is full of fight -- that goes without saying. With a couple of thousand rough men under one, one has plenty of that sort of amusement. I had, anyway. At last I met my match, and I got my dose. It was during a misunderstanding


A Connecticut Yankee in King Arthur's Court
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lair of the White Worm by Bram Stoker:

and brow, and the almost collapse of the heavy eyelids which seemed tumbling downward in sleep. Lilla made gallant efforts to brace her dwindling powers, but for a time unsuccessfully. At length there came an interruption, which seemed like a powerful stimulant. Through the wide window she saw Lady Arabella enter the plain gateway of the farm, and advance towards the hall door. She was clad as usual in tight-fitting white, which accentuated her thin, sinuous figure.

The sight did for Lilla what no voluntary effort could have done. Her eyes flashed, and in an instant she felt as though a new life had suddenly developed within her. Lady Arabella's entry, in her


Lair of the White Worm