| The first excerpt represents the past or something you must release, and is drawn from Rezanov by Gertrude Atherton: they call me? El santo. God knows I am not, but
it is not for want of the wish. Did I give my daugh-
ter to a heretic, not only should I become an outcast,
a pariah, but I should imperil my everlasting soul
and that of my best beloved child. It is impossible,
Excellency--unless, indeed, you embrace our faith."
"That is so impossible that the subject is not
worth the waste of a moment. But surely, Com-
mandante, in your excitement at this perfectly nat-
ural issue you are misrepresenting yourself. I do
not believe, devout Catholic as you are, that your
 Rezanov |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Cousin Betty by Honore de Balzac: arms, a common face, as dull as an "occasional piece" at the play, and
hardly to be persuaded out of wearing the classical linen cap peculiar
to the women of Lower Normandy. This girl, as buxom as a wet-nurse,
looked as if she would burst the blue cotton check in which she
clothed her person. Her florid face might have been hewn out of stone,
so hard were its tawny outlines.
Of course no attention was paid to the advent in the house of this
girl, whose name was Agathe--an ordinary, wide-awake specimen, such as
is daily imported from the provinces. Agathe had no attractions for
the cook, her tongue was too rough, for she had served in a suburban
inn, waiting on carters; and instead of making a conquest of her chief
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The third excerpt represents the future or something you must embrace, and is drawn from Letters of Two Brides by Honore de Balzac: emphasis on the words, "you stand first in my regard. Otherwise you
would not be here."
Then we began to walk up and down as we talked, and I must say that so
soon as my Spaniard had recovered himself he put forth the genuine
eloquence of the heart. It was not passion it breathed, but a
marvelous tenderness of feeling which he beautifully compared to the
divine love. His thrilling voice, which lent an added charm to
thoughts, in themselves so exquisite, reminded me of the nightingale's
note. He spoke low, using only the middle tones of a fine instrument,
and words flowed upon words with the rush of a torrent. It was the
overflow of the heart.
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