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Today's Stichomancy for Rachel Weisz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Memoir of Fleeming Jenkin by Robert Louis Stevenson:

sister Loys, too, who was up at the Alp with the cattle, came down to church on Sundays, made acquaintance with the Jenkins, and must have them up to see the sunrise from her house upon the Loser, where they had supper and all slept in the loft among the hay. The Mosers were not lost sight of; Walpurga still corresponds with Mrs. Jenkin, and it was a late pleasure of Fleeming's to choose and despatch a wedding present for his little mountain friend. This visit was brought to an end by a ball in the big inn parlour; the refreshments chosen, the list of guests drawn up, by Joseph; the best music of the place in attendance; and hosts and guests in their best clothes. The ball was opened by Mrs. Jenkin dancing

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson:

but the archpriest himself fell, broke his thigh, and could only crawl into the hedge. What were his reflections as this second martyrdom drew near? A poor, brave, besotted, hateful man, who had done his duty resolutely according to his light both in the Cevennes and China. He found at least one telling word to say in his defence; for when the roof fell in and the upbursting flames discovered his retreat, and they came and dragged him to the public place of the town, raging and calling him damned - 'If I be damned,' said he, 'why should you also damn yourselves?'

Here was a good reason for the last; but in the course of his inspectorship he had given many stronger which all told in a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Eryxias by Platonic Imitator:

evidence if given by the honest man at once strikes them as perfectly true. And probably the audience have something of the same feeling about yourself and Prodicus; they think him a Sophist and a braggart, and regard you as a gentleman of courtesy and worth. For they do not pay attention to the argument so much as to the character of the speaker.

But truly, Socrates, said Erasistratus, though you may be joking, Critias does seem to me to be saying something which is of weight.

SOCRATES: I am in profound earnest, I assure you. But why, as you have begun your argument so prettily, do you not go on with the rest? There is still something lacking, now you have agreed that (wealth) is a good to some and an evil to others. It remains to enquire what constitutes wealth;

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Parmenides by Plato:

Yes, Socrates, said Zeno. But although you are as keen as a Spartan hound in pursuing the track, you do not fully apprehend the true motive of the composition, which is not really such an artificial work as you imagine; for what you speak of was an accident; there was no pretence of a great purpose; nor any serious intention of deceiving the world. The truth is, that these writings of mine were meant to protect the arguments of Parmenides against those who make fun of him and seek to show the many ridiculous and contradictory results which they suppose to follow from the affirmation of the one. My answer is addressed to the partisans of the many, whose attack I return with interest by retorting upon them that their hypothesis of the being of many, if carried out, appears to be still more