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Today's Stichomancy for Ray Bradbury

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from God The Invisible King by H. G. Wells:

Show us this person; let us hear him. (If they listen to the silences within, presently they will hear him.) But when one argues, one finds oneself suddenly in the net of those ancient controversies between species and individual, between the one and the many, which arise out of the necessarily imperfect methods of the human mind. Upon these matters there has been much pregnant writing during the last half century. Such ideas as this writer has to offer are to be found in a previous little book of his, "First and Last Things," in which, writing as one without authority or specialisation in logic and philosophy, as an ordinary man vividly interested, for others in a like case, he was at some pains to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Louis Lambert by Honore de Balzac:

astonishingly clear and piercing, at another full of heavenly sweetness, those eyes became dull, almost colorless, as it seemed, when he was lost in meditation. They then looked like a window from which the sun had suddenly vanished after lighting it up. His strength and his voice were no less variable; equally rigid, equally unexpected. His tone could be as sweet as that of a woman compelled to own her love; at other times it was labored, rough, rugged, if I may use such words in a new sense. As to his strength, he was habitually incapable of enduring the fatigue of any game, and seemed weakly, almost infirm. But during the early days of his school-life, one of our little bullies having made game of this sickliness, which rendered


Louis Lambert
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Collected Articles by Frederick Douglass:

I have been known for three and forty years--Frederick Douglass. Mr. Johnson had just been reading the "Lady of the Lake," and so pleased was he with its great character that he wished me to bear his name. Since reading that charming poem myself, I have often thought that, considering the noble hospitality and manly character of Nathan Johnson--black man though he was--he, far more than I, illustrated the virtues of the Douglas of Scotland. Sure am I that, if any slave-catcher had entered his domicile with a view to my recapture, Johnson would have shown himself like him of the "stalwart hand."

The reader may be surprised at the impressions I had in some way conceived

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Parmenides by Plato:

meaning of one has been reduced to a point, there is no use in saying that it has neither parts nor magnitude. Thirdly, The conception of the same is, first of all, identified with the one; and then by a further analysis distinguished from, and even opposed to it. Fourthly, We may detect notions, which have reappeared in modern philosophy, e.g. the bare abstraction of undefined unity, answering to the Hegelian 'Seyn,' or the identity of contradictions 'that which is older is also younger,' etc., or the Kantian conception of an a priori synthetical proposition 'one is.'

II. In the first series of propositions the word 'is' is really the copula; in the second, the verb of existence. As in the first series, the negative consequence followed from one being affirmed to be equivalent to