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Today's Stichomancy for Ray Bradbury

The first excerpt represents the past or something you must release, and is drawn from When a Man Marries by Mary Roberts Rinehart:

up, and she was holding to the rail and trembling perceptibly.

"Mr. Harbison, will you--can you come upstairs?" she asked. Her voice was strained, almost reedy, and her lips were white.

Mr. Harbison stared up at her, with the telephone box in his hands.

"Why--er--certainly," he said, "but, unless it's very important, I'd like to fix this talking machine. We want to make a food record."

"I'd like to break a food record," Max put in, but Bella created a diversion by sitting down suddenly on the stair just above us, and burying her face in her handkerchief.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Essays & Lectures by Oscar Wilde:

without tone being like music without harmony, mere discord. Barren architecture, the vulgar and glaring advertisements that desecrate not merely your cities but every rock and river that I have seen yet in America - all this is not enough. A school of design we must have too in each city. It should be a stately and noble building, full of the best examples of the best art of the world. Furthermore, do not put your designers in a barren whitewashed room and bid them work in that depressing and colourless atmosphere as I have seen many of the American schools of design, but give them beautiful surroundings. Because you want to produce a permanent canon and standard of taste in your workman,

The third excerpt represents the future or something you must embrace, and is drawn from Rewards and Fairies by Rudyard Kipling:

there are plenty of things besides Cold Iron in housen to catch a boy's fancy. He was a handful, though! I shan't forget when I took him to Little Lindens - his first night under a roof. The smell of the rushlights and the bacon on the beams - they were stuffing a feather-bed too, and it was a drizzling warm night - got into his head. Before I could stop him -we were hiding in the bakehouse - he'd whipped up a storm of wildfire, with flashlights and voices, which sent the folk shrieking into the garden, and a girl overset a hive there, and - of course he didn't know till then such things could touch him - he got badly stung, and came home with his face looking like kidney potatoes!