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Today's Stichomancy for Ray Bradbury

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Herbert West: Reanimator by H. P. Lovecraft:

frightful carnivorous thing in a padded cell at Sefton. Then there was another -- our first -- whose exact fate we had never learned.

We had fair luck with specimens in Bolton -- much better than in Arkham. We had not been settled a week before we got an accident victim on the very night of burial, and made it open its eyes with an amazingly rational expression before the solution failed. It had lost an arm -- if it had been a perfect body we might have succeeded better. Between then and the next January we secured three more; one total failure, one case of marked muscular motion, and one rather shivery thing -- it rose of itself and uttered a sound. Then came a period when luck was poor; interments fell


Herbert West: Reanimator
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Jungle Book by Rudyard Kipling:

wanted fresh air before he was out of the dark tunnel they led him through.

"My wig!" he said, when he rose, gasping and puffing, into open water at the farther end. "It was a long dive, but it was worth it."

The sea cows had separated and were browsing lazily along the edges of the finest beaches that Kotick had ever seen. There were long stretches of smooth-worn rock running for miles, exactly fitted to make seal-nurseries, and there were play-grounds of hard sand sloping inland behind them, and there were rollers for seals to dance in, and long grass to roll in, and sand dunes to climb up


The Jungle Book
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Human Drift by Jack London:

she loves you?

NED. [Falling into the trap, eagerly.] Do you think so?

ALICE HEMINGWAY. [Laughing and rising.] And to think I once permitted you to make love to me for three weeks!

[NED rises.]

[MAID enters from left with letters, which she brings to ALICE HEMINGWAY.]

ALICE HEMINGWAY. [Running over letters.] None for you, Ned. [Selecting two letters for herself.] Tradesmen. [Handing remainder of letters to MAID.] And three for Loretta. [Speaking to MAID.] Put them on the table, Josie.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mirror of the Sea by Joseph Conrad:

to the turbulent sway of the West Wind. Call it north-west or south-west, it is all one - a different phase of the same character, a changed expression on the same face. In the orientation of the winds that rule the seas, the north and south directions are of no importance. There are no North and South Winds of any account upon this earth. The North and South Winds are but small princes in the dynasties that make peace and war upon the sea. They never assert themselves upon a vast stage. They depend upon local causes - the configuration of coasts, the shapes of straits, the accidents of bold promontories round which they play their little part. In the polity of winds, as amongst the


The Mirror of the Sea