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Today's Stichomancy for Rebecca Gayheart

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Open Letter on Translating by Dr. Martin Luther:

Christ's death and resurrection. Knowing that they cannot be saved by their good works of the law, how much more will they realize that they shall not be saved by bad works, or without the law! Therefore, it does not follow that because good works do not help, bad works will; just as it does not follow that because the sun cannot help a blind person see, the night and darkness must help him see.

It astounds me that one can be offended by something as obvious as this! Just tell me, is Christ's death and resurrection our work, what we do, or not? It is obviously not our work, nor is it the work of the law. Now it is Christ's death and resurrection alone

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

a tail. The man followed in a wet black oilskin jacket, like a chauffeur, and face flushed a little. She felt him recoil in his quick walk, when he saw her. She stood up in the handbreadth of dryness under the rustic porch. He saluted without speaking, coming slowly near. She began to withdraw.

'I'm just going,' she said.

'Was yer waitin' to get in?' he asked, looking at the hut, not at her.

'No, I only sat a few minutes in the shelter,' she said, with quiet dignity.

He looked at her. She looked cold.

'Sir Clifford 'adn't got no other key then?' he asked.


Lady Chatterley's Lover
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Patchwork Girl of Oz by L. Frank Baum:

dish, where he mixed it with a golden spoon. When the mixture was complete there was scarcely a handful, all told.

"That," said Dr. Pipt, in a pleased and triumphant tone, "is the wonderful Powder of Life, which I alone in the world know how to make. It has taken me nearly six years to prepare these precious grains of dust, but the little heap on that dish is worth the price of a kingdom and many a king would give all he has to possess it. When it has become cooled I will place it in a small


The Patchwork Girl of Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Insidious Dr. Fu-Manchu by Sax Rohmer:

"Yes. The friend--an Englishman--was aroused by the uncanny wailing. I was in Rangoon at the time, so that I know more of the case of Lafitte than of that of the American. I spoke to the man about it personally. He was an electrical engineer, Edward Martin, and he told me that the cry seemed to come from above him."

"It seemed to come from above when we heard it at Fu-Manchu's house."

"Martin sat up in bed, it was a clear moonlight night-- the sort of moonlight you get in Burma. Lafitte, for some reason, had just gone to the window. His friend saw him look out. The next moment with a dreadful scream, he threw himself forward-- and crashed down into the courtyard!"


The Insidious Dr. Fu-Manchu