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Today's Stichomancy for Rebecca Gayheart

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A House of Pomegranates by Oscar Wilde:

are wrought there.'

But the young Fisherman answered not his Soul, but in a cleft of the rock he built himself a house of wattles, and abode there for the space of a year. And every morning he called to the Mermaid, and every noon he called to her again, and at night-time he spake her name. Yet never did she rise out of the sea to meet him, nor in any place of the sea could he find her though he sought for her in the caves and in the green water, in the pools of the tide and in the wells that are at the bottom of the deep.

And ever did his Soul tempt him with evil, and whisper of terrible things. Yet did it not prevail against him, so great was the power

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Heritage of the Desert by Zane Grey:

the intense light. The day was soundless and windless, and the heat-waves rose from the desert like smoke. For Hare the realities were the baked clay flats, where Silvermane broke through at every step; the beds of alkali, which sent aloft clouds of powdered dust; the deep gullies full of round bowlders; thickets of mesquite and prickly thorn which tore at his legs; the weary detour to head the canyons; the climb to get between two bridging mesas; and always the haunting presence of the sad-eyed dog. His unrealities were the shimmering sheets of water in every low place; the baseless mountains floating in the air; the green slopes rising close at hand; beautiful buttes of dark blue riding the open sand, like monstrous barks at sea; the changing outlines of desert


The Heritage of the Desert
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Communist Manifesto by Karl Marx:

against modern bourgeois society. In the French revolution of July 1830, and in the English reform agitation, these aristocracies again succumbed to the hateful upstart. Thenceforth, a serious political contest was altogether out of the question. A literary battle alone remained possible. But even in the domain of literature the old cries of the restoration period had become impossible.

In order to arouse sympathy, the aristocracy were obliged to lose sight, apparently, of their own interests, and to formulate their indictment against the bourgeoisie in the interest of the exploited working class alone. Thus the aristocracy took their


The Communist Manifesto
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Essays & Lectures by Oscar Wilde:

reverence for law, rather than at the increased facilities of locomotion and the cheap production of common things about which our modern scientific school ceases not to boast. And lastly, and perhaps chiefly, we must remember that the 'plague spot of all Greek states,' as one of their own writers has called it, was the terrible insecurity to life and property which resulted from the factions and revolutions which ceased not to trouble Greece at all times, raising a spirit of fanaticism such as religion raised in the middle ages of Europe.

These considerations, then, will enable us to understand first how it was that, radical and unscrupulous reformers as the Greek