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Today's Stichomancy for Rebecca Gayheart

The first excerpt represents the past or something you must release, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

branch of it, nor any other religious organization, will step into the gap. It may be--but I do not think this is likely--that the time of rites and ceremonies and formal creeds is PAST, and churches of any kind will be no more needed in the world: not likely, I say, because of the still far backwardness of the human masses, and their considerable dependence yet on laws and forms and rituals. Still, if it should prove that that age of dependence IS really approaching its end, that would surely be a matter for congratulation. It would mean that mankind was moving into a knowledge of the REALITY which has underlain these outer shows--that


Pagan and Christian Creeds
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Street of Seven Stars by Mary Roberts Rinehart:

home. Harmony had been practicing, and at the end she played a little winter song by some modern composer. It breathed all the purity of a white winter's day; it was as chaste as ice and as cold; and yet throughout was the thought of green things hiding beneath the snow and the hope of spring.

Harmony, having finished, voiced some such feeling. She was rather ashamed of her thought.

"It seems that way to me," she finished apologetically. "It sounds rather silly. I always think I can tell the sort of person who composes certain things."

"And this gentleman who writes of winter?"

The third excerpt represents the future or something you must embrace, and is drawn from Royalty Restored/London Under Charles II by J. Fitzgerald Molloy:

him." Now Blood, being a man of genius, resolved to play his part during the audience in a manner which would favourably impress the king. Therefore when Charles asked him how he had dared attempt so bold a robbery, Blood made answer he had lost a fine property by the crown, and was resolved to recover it with the crown. Diverted by his audacity his majesty questioned him further, when Blood confessed to his attempted abduction of the Duke of Ormond, but refused to name his accomplices. Nay, he narrated various other adventures, showing them in a romantic light; and finally concluded by telling the king he had once entered into a design to take his sacred life by rushing upon him