Today's Stichomancy for Rebecca Romijn

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tom Sawyer, Detective by Mark Twain:

about my threatening him, till the very minute I raised the club--then my heart went cold!--then the pity all went out of it, and I struck to kill! In that one moment all my wrongs come into my mind; all the insults that that man and the scoundrel his brother, there, had put upon me, and how they laid in together to ruin me with the people, and take away my good name, and DRIVE me to some deed that would destroy me and my family that hadn't ever done THEM no harm, so help me God! And they done it in a mean revenge--for why? Because my innocent pure girl here at my side wouldn't marry that rich, insolent, ignorant coward,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Hated Son by Honore de Balzac:

fortunately drowned by the countess's cries.

For Maitre Beauvouloir's safety Nature was merciful. It was more a miscarriage than a regular birth, and the child was so puny that it caused little suffering to the mother.

"Holy Virgin!" cried the bonesetter, "it isn't a miscarriage, after all!"

The count made the floor shake as he stamped with rage. The countess pinched Beauvouloir.

"Ah! I see!" he said to himself. "It ought to be a premature birth, ought it?" he whispered to the countess, who replied with an affirmative sign, as if that gesture were the only language in which

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Alkahest by Honore de Balzac:

that were rolling from her eyes, would have struck the most thoughtless mind. Nothing is more terrible to behold than excessive grief that is rarely allowed to break forth, of which traces were left on this woman's face like lava congealed about a crater. She might have been a dying mother compelled to leave her children in abysmal depths of wretchedness, unable to bequeath them to any human protector.

The countenance of this lady, then about forty years of age and not nearly so far from handsome as she had been in her youth, bore none of the characteristics of a Flemish woman. Her thick black hair fell in heavy curls upon her shoulders and about her cheeks. The forehead,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Gorgias by Plato:

he pleases.' Socrates would have him bestow his length on others, and proceeds to ask him a number of questions, which are answered by him to his own great satisfaction, and with a brevity which excites the admiration of Socrates. The result of the discussion may be summed up as follows:--

Rhetoric treats of discourse; but music and medicine, and other particular arts, are also concerned with discourse; in what way then does rhetoric differ from them? Gorgias draws a distinction between the arts which deal with words, and the arts which have to do with external actions. Socrates extends this distinction further, and divides all productive arts into two classes: (1) arts which may be carried on in silence; and (2) arts which have to do with words, or in which words are coextensive with action, such