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Today's Stichomancy for Rene Magritte

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Crito by Plato:

SOCRATES: Then why did you sit and say nothing, instead of at once awakening me?

CRITO: I should not have liked myself, Socrates, to be in such great trouble and unrest as you are--indeed I should not: I have been watching with amazement your peaceful slumbers; and for that reason I did not awake you, because I wished to minimize the pain. I have always thought you to be of a happy disposition; but never did I see anything like the easy, tranquil manner in which you bear this calamity.

SOCRATES: Why, Crito, when a man has reached my age he ought not to be repining at the approach of death.

CRITO: And yet other old men find themselves in similar misfortunes, and

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Animal Farm by George Orwell:

was impossible not to believe in her good intentions. Old Benjamin, the donkey, seemed quite unchanged since the Rebellion. He did his work in the same slow obstinate way as he had done it in Jones's time, never shirking and never volunteering for extra work either. About the Rebellion and its results he would express no opinion. When asked whether he was not happier now that Jones was gone, he would say only "Donkeys live a long time. None of you has ever seen a dead donkey," and the others had to be content with this cryptic answer.

On Sundays there was no work. Breakfast was an hour later than usual, and after breakfast there was a ceremony which was observed every week without fail. First came the hoisting of the flag. Snowball had found in the


Animal Farm
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Breaking Point by Mary Roberts Rinehart:

of luck, I've got a sick man on my hands. Friend of mine from home. We've got to catch the midnight, too."

"Too bad," Wilkins commented rather absently. Then, perhaps feeling that he had not shown proper interest, "Tell you what I'll do. I've got some buisness on hand now, but it'll be cleared up one way or another pretty soon. I'll bring my car around and take him to the station. These hacks are the limit to ride in."

The disaster to his plans thus threatened steadied the reporter, and he managed to keep his face impassive.

"Thanks," he said. "I'll let you know if he's able to travel. Is this - is this business you're on confidential?"


The Breaking Point
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dead Souls by Nikolai Vasilievich Gogol:

kind--persons to whose designing nature has devoted not much thought, and in the fashioning of whose frames she has used no instruments so delicate as a file or a gimlet and so forth--are not uncommon. Such persons she merely roughhews. One cut with a hatchet, and there results a nose; another such cut with a hatchet, and there materialises a pair of lips; two thrusts with a drill, and there issues a pair of eyes. Lastly, scorning to plane down the roughness, she sends out that person into the world, saying: "There is another live creature." Sobakevitch was just such a ragged, curiously put together figure--though the above model would seem to have been followed more in his upper portion than in his lower. One result was


Dead Souls