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Today's Stichomancy for Rene Magritte

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Alexandria and her Schools by Charles Kingsley:

we cannot doubt; but there is not a jot more evidence to prove that Alexandrians borrowed this conception from the Mahabharavata, than that George Fox the Quaker, or the author of the "Deutsche Theologie," did so. They may have gone to Hindoo philosophy, or rather, to second and third hand traditions thereof, for corroborations of the belief; but be sure, it must have existed in their own hearts first, or they would never have gone thither. Believe it; be sure of it. No earnest thinker is a plagiarist pure and simple. He will never borrow from others that which he has not already, more or less, thought out for himself. When once a great idea, instinctive, inductive (for the two expressions are nearer akin than most fancy), has dawned on his soul, he will welcome

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Faraday as a Discoverer by John Tyndall:

suspended magnetic needle to set parallel to its magne-crystallic axis. Few living men are aware of the difficulty of obtaining results like this, or of the delicacy necessary to their attainment. 'But though it thus takes up the character of a force acting at a distance, still it is due to that power of the particles which makes them cohere in regular order and gives the mass its crystalline aggregation, which we call at other times the attraction of aggregation, and so often speak of as acting at insensible distances.' Thus he broods over this new force, and looks at it from all possible points of inspection. Experiment follows experiment, as thought follows thought. He will not relinquish the subject as

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Louis Lambert by Honore de Balzac:

of that sad parting, though it was not fated to be the last.

When I crossed the yard by which we left, Lambert was at one of the refectory windows to see me pass. By my request my mother obtained leave for him to dine with us at the inn, and in the evening I escorted him back to the fatal gate of the college. No lover and his mistress ever shed more tears at parting.

"Well, good-bye; I shall be left alone in this desert!" said he, pointing to the playground where two hundred boys were disporting themselves and shouting. "When I come back half dead with fatigue from my long excursions through the fields of thought, on whose heart can I rest? I could tell you everything in a look. Who will understand me


Louis Lambert
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Wizard of Oz by L. Frank Baum:

"I have always thought myself very big and terrible; yet such little things as flowers came near to killing me, and such small animals as mice have saved my life. How strange it all is! But, comrades, what shall we do now?"

"We must journey on until we find the road of yellow brick again," said Dorothy, "and then we can keep on to the Emerald City."

So, the Lion being fully refreshed, and feeling quite himself again, they all started upon the journey, greatly enjoying the walk through the soft, fresh grass; and it was not long before they reached the road of yellow brick and turned again toward the Emerald City where the Great Oz dwelt.

The road was smooth and well paved, now, and the country about


The Wizard of Oz