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Today's Stichomancy for Rene Magritte

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Story of an African Farm by Olive Schreiner:

Vander Walt, whose wife died last month--two farms, twelve thousand sheep. I've not seen him, but my sister-in-law told me about him, and I dreamed about him last night."

Here Piet's black hat appeared in the doorway, and the Boer-woman drew herself up in dignified silence, extended the tips of her fingers, and motioned solemnly to a chair. The young man seated himself, sticking his feet as far under it as they would go, and said mildly:

"I am Little Piet Vander Walt, and my father is Big Piet Vander Walt."

Tant Sannie said solemnly: "Yes."

"Aunt," said the young man, starting up spasmodically; "can I off-saddle?"

"Yes."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac:

Leon Giraud, appointed in the first instance master of petitions, became eventually a Councillor of State.

The whole existence of Daniel d'Arthez is consecrated to work; he sees society only by snatches; it is to him a sort of dream. His house is a convent, where he leads the life of a Benedictine; the same sobriety of regimen, the same regularity of occupation. His friends knew that up to the present time woman had been to him no more than an always dreaded circumstance; he had observed her too much not to fear her; but by dint of studying her he had ceased to understand her,--like, in this, to those deep strategists who are always beaten on unexpected ground, where their scientific axioms are either modified or

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Life in the Iron-Mills by Rebecca Davis:

through his quietness in innumerable curious ways: this one, for instance. In the neighboring furnace-buildings lay great heaps of the refuse from the ore after the pig-metal is run. Korl we call it here: a light, porous substance, of a delicate, waxen, flesh-colored tinge. Out of the blocks of this korl, Wolfe, in his off-hours from the furnace, had a habit of chipping and moulding figures,--hideous, fantastic enough, but sometimes strangely beautiful: even the mill-men saw that, while they jeered at him. It was a curious fancy in the man, almost a passion. The few hours for rest he spent hewing and hacking with his blunt knife, never speaking, until his watch


Life in the Iron-Mills
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Herodias by Gustave Flaubert:

hatred.

The terrible man now turned towards her. He grasped the bars of his prison, pressed against them his bearded face, in which his eyes glowed like burning coals, and cried:

"Ah! Is it thou, Jezebel? Thou hast captured thy lord's heart with the tinkling of thy feet. Thou didst neigh to him like a mare. Thou didst prepare thy bed on the mountain top, in order to accomplish thy sacrifices!

"The Lord shall take from thee thy sparkling jewels, thy purple robes and fine linen; the bracelets from thine arms, the anklets from thy feet; the golden ornaments that dangle upon thy brow, thy mirrors of


Herodias