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Today's Stichomancy for Richard Branson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Anabasis by Xenophon:

PREPARER'S NOTE

This was typed from Dakyns' series, "The Works of Xenophon," a four-volume set. The complete list of Xenophon's works (though there is doubt about some of these) is:

Work Number of books

The Anabasis 7 The Hellenica 7 The Cyropaedia 8 The Memorabilia 4 The Symposium 1 The Economist 1


Anabasis
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Beauty and The Beast by Bayard Taylor:

words that were said, but silently, swiftly, a room was made ready, while the men lifted from the straw and carried up stairs an unconscious figure, the arms of which hung down with a horrible significance as they moved. He was not dead, for the heart beat feebly and slowly; but all efforts to restore his consciousness were in vain. There was concussion of the brain the physician said. He had been thrown from his horse, probably alighting upon his head, as there were neither fractures nor external wounds. All that night and next day the tenderest, the most unwearied care was exerted to call back the flickering gleam of life. The shock had been too great; his deadly torpor deepened into death.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Duchesse de Langeais by Honore de Balzac:

followed it was more dangerous.

But if the time of her opposition on the ground of the marriage law might be said to be the epoque civile of this sentimental warfare, the ensuing phase which might be taken to constitute the epoque religieuse had also its crisis and consequent decline of severity.

Armand happening to come in very early one evening, found M. l'Abbe Gondrand, the Duchess's spiritual director, established in an armchair by the fireside, looking as a spiritual director might be expected to look while digesting his dinner and the charming sins of his penitent. In the ecclesiastic's bearing

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Elizabeth and her German Garden by Marie Annette Beauchamp:

me more determined to persevere.

The long borders, where the rockets were, are looking dreadful. The rockets have done flowering, and, after the manner of rockets: in other walks of life, have degenerated into sticks; and nothing else in those borders intends to bloom this summer. The giant poppies I had planted out in them in April have either died off or remained quite small, and so have the columbines; here and there a delphinium droops unwillingly, and that is all. I suppose poppies cannot stand being moved, or perhaps they were not watered enough at the time of transplanting; anyhow, those borders are going to be sown to-morrow with more poppies for next year;


Elizabeth and her German Garden