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Today's Stichomancy for Richard Branson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Exiles by Honore de Balzac:

From the sphere where the least degree of intelligence gleamed, to the most translucent souls who could see the road by which to ascend to God, was there not an ascending scale of spiritual gift? And did not spirits of the same sphere understand each other like brothers in soul, in flesh, in mind, and in feeling?"

From this the Doctor went on to unfold the most wonderful theories of sympathy. He set forth in Biblical language the phenomena of love, of instinctive repulsion, of strong affinities which transcend the laws of space, of the sudden mingling of souls which seem to recognize each other. With regard to the different degrees of strength of which our affections are capable, he accounted for them by the place, more or

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Poems of William Blake by William Blake:

The helpless worm arose and sat upon the Lillys leaf, And the bright Cloud saild on, to find his partner in the vale.

III.

Then Thel astonish'd view'd the Worm upon its dewy bed.

Art thou a Worm? image of weakness. art thou but a Worm? I see thee like an infant wrapped in the Lillys leaf; Ah weep not little voice, thou can'st not speak, but thou can'st weep: Is this a Worm? I see they lay helpless & naked: weeping And none to answer, none to cherish thee with mothers smiles.

The Clod of Clay heard the Worms voice & rais'd her pitying head: She bowd over the weeping infant, and her life exhald


Poems of William Blake
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Iliad by Homer:

avenge these my tears upon the Danaans."

Thus did he pray, and Apollo heard his prayer. He came down furious from the summits of Olympus, with his bow and his quiver upon his shoulder, and the arrows rattled on his back with the rage that trembled within him. He sat himself down away from the ships with a face as dark as night, and his silver bow rang death as he shot his arrow in the midst of them. First he smote their mules and their hounds, but presently he aimed his shafts at the people themselves, and all day long the pyres of the dead were burning.

For nine whole days he shot his arrows among the people, but upon


The Iliad
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Cousin Betty by Honore de Balzac:

anteroom. The faithful waiting-maid gave him the following note:--

"DEAR OLD MAN,--Do not go to the Rue du Dauphin. Our incubus is ill, and I must nurse him; but be there this evening at nine. Crevel is at Corbeil with Monsieur Lebas; so I am sure he will bring no princess to his little palace. I have made arrangements here to be free for the night and get back before Marneffe is awake. Answer me as to all this, for perhaps your long elegy of a wife no longer allows you your liberty as she did. I am told she is still so handsome that you might play me false, you are such a gay dog! Burn this note; I am suspicious of every one."

Hulot wrote this scrap in reply: