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Today's Stichomancy for Richard Branson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Circular Staircase by Mary Roberts Rinehart:

where it is being repaired."

I laid down my knitting then and looked at him.

"And Halsey?" I managed to say.

"We are going to exchange information," he said "I am going to tell you that, when you tell me what you picked up in the tulip bed."

We looked steadily at each other: it was not an unfriendly stare; we were only measuring weapons. Then he smiled a little and got up.

"With your permission," he said, "I am going to examine the card- room and the staircase again. You might think over my offer in


The Circular Staircase
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Symposium by Plato:

the profile figures having only half a nose which are sculptured on monuments, and that we shall be like tallies. Wherefore let us exhort all men to piety, that we may avoid evil, and obtain the good, of which Love is to us the lord and minister; and let no one oppose him--he is the enemy of the gods who opposes him. For if we are friends of the God and at peace with him we shall find our own true loves, which rarely happens in this world at present. I am serious, and therefore I must beg Eryximachus not to make fun or to find any allusion in what I am saying to Pausanias and Agathon, who, as I suspect, are both of the manly nature, and belong to the class which I have been describing. But my words have a wider application --they include men and women everywhere; and I believe that if our loves

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

understand my crimes. Thus you will see where and how began the drama that has led me to misfortune.

"It is necessary to go back to my sixteenth year, when I was still at school, and my elder brother a first-year student. I had not yet known women but, like all the unfortunate children of our society, I was already no longer innocent. I was tortured, as you were, I am sure, and as are tortured ninety-nine one-hundredths of our boys. I lived in a frightful dread, I prayed to God, and I prostrated myself.

"I was already perverted in imagination, but the last steps remained to be taken. I could still escape, when a friend of my


The Kreutzer Sonata
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pathology of Lying, Etc. by William and Mary Healy:

childhood: he had little endurance and was unable to stand criticism. Emotions befitting his stories were correctly expressed by him; there were no facial evidences of conflict or discomfort. It was impossible to tell from his physiognomy that he was engaged in untruths. Mentally he was well oriented and his thoughts flowed in orderly sequence. Despite rather limited education he demonstrated very good style in his conversation and his letters. The train of thought was expressed coherently and logically, so well that one could speak of him as having literary ability. Physically he was quite normal. Investigation of antecedents showed that he was born of an exceedingly nervous