| The first excerpt represents the past or something you must release, and is drawn from The Children of the Night by Edwin Arlington Robinson: Look you, Dominie; look you, and listen!
Look in my face, first; search every line there;
Mark every feature, -- chin, lip, and forehead!
Look in my eyes, and tell me the lesson
You read there; measure my nose, and tell me
Where I am wanting! A man's nose, Dominie,
Is often the cast of his inward spirit;
So mark mine well. But why do you smile so?
Pity, or what? Is it written all over,
This face of mine, with a brute's confession?
Nothing but sin there? nothing but hell-scars?
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Menexenus by Plato: how the Persians, lords of Asia, were enslaving Europe, and how the
children of this land, who were our fathers, held them back. Of these I
will speak first, and praise their valour, as is meet and fitting. He who
would rightly estimate them should place himself in thought at that time,
when the whole of Asia was subject to the third king of Persia. The first
king, Cyrus, by his valour freed the Persians, who were his countrymen, and
subjected the Medes, who were their lords, and he ruled over the rest of
Asia, as far as Egypt; and after him came his son, who ruled all the
accessible part of Egypt and Libya; the third king was Darius, who extended
the land boundaries of the empire to Scythia, and with his fleet held the
sea and the islands. None presumed to be his equal; the minds of all men
|
The third excerpt represents the future or something you must embrace, and is drawn from Within the Tides by Joseph Conrad: He advanced then towards Miss Moorsom. Posed on the seat on which
they had first spoken to each other, it was her turn to watch him
coming on. But many of the windows were not lighted that evening.
It was dark over there. She appeared to him luminous in her clear
dress, a figure without shape, a face without features, awaiting
his approach, till he got quite near to her, sat down, and they had
exchanged a few insignificant words. Gradually she came out like a
magic painting of charm, fascination, and desire, glowing
mysteriously on the dark background. Something imperceptible in
the lines of her attitude, in the modulations of her voice, seemed
to soften that suggestion of calm unconscious pride which enveloped
 Within the Tides |