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Today's Stichomancy for Richard Burton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Unseen World and Other Essays by John Fiske:

extinguished. The human mind, however "scientific" its training, must often recoil from the conclusion that this is all; and there are moments when one passionately feels that this cannot be all. On warm June mornings in green country lanes, with sweet pine-odours wafted in the breeze which sighs through the branches, and cloud-shadows flitting over far-off blue mountains, while little birds sing their love-songs, and golden-haired children weave garlands of wild roses; or when in the solemn twilight we listen to wondrous harmonies of Beethoven and Chopin that stir the heart like voices from an unseen world; at such times one feels that the profoundest answer which science can


The Unseen World and Other Essays
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A treatise on Good Works by Dr. Martin Luther:

In like manner, when they punish and chastise, as they ought (at times even unjustly, which, however, does not harm the soul's salvation), our evil nature resents the correction. Beside all this, there are some so wicked that they are ashamed of their parents because of poverty, lowly birth, deformity or dishonor, and allow these things to influence them more than the high Commandment of God, Who is above all things, and has with benevolent intent given them such parents, to exercise and try them in His Commandment. But the matter becomes still worse when the child has children of its own; then love descends to them, and detracts very much from the love and honor toward the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Copy-Cat & Other Stories by Mary E. Wilkins Freeman:

her famous cream shortcakes. She saw Johnny, but merely observed, "Go and wash your face and hands, Johnny; it is nearly supper-time."

Johnny went up-stairs. At the upper landing he found his aunt Janet waiting for him. "Come here," she whispered, and Johnny followed her, trembling, into her own room. It was a large room, rather crowded with heavy, old-fashioned furni- ture. Aunt Janet had freed herself from dust and was arrayed in a purple silk gown. Her hair was looped loosely on either side of her long face. She

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Court Life in China by Isaac Taylor Headland:

cares of state might not have been borne by others, leaving her free to develop her instinct for art."

The Empress Dowager kept eighteen court painters, selected from among the best artists of the country, and appointed by herself, whose whole duty it was to paint for her. They were divided into three groups, and each group of six persons was required to be on duty ten days of each month. As I was deeply interested in the study of Chinese art I became intimately acquainted with most of the court painters and knew the character of their work. The head of this group was Mr. Kuan. I called on him one day, knowing that he was not well enough to be on duty in the palace, and I found