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Today's Stichomancy for Richard Burton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Illustrious Gaudissart by Honore de Balzac:

at Rabelais and Semblancay, Plantin the printer and Descartes, Boucicault, the Napoleon of his day, and Pinaigrier, who painted most of the colored glass in our cathedrals; also Verville and Courier. But the Tourangian, distinguished though he may be in other regions, sits in his own home like an Indian on his mat or a Turk on his divan. He employs his wit in laughing at his neighbor and in making merry all his days; and when at last he reaches the end of his life, he is still a happy man. Touraine is like the Abbaye of Theleme, so vaunted in the history of Gargantua. There we may find the complying sisterhoods of that famous tale, and there the good cheer celebrated by Rabelais reigns in glory.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Moral Emblems by Robert Louis Stevenson:

Behold him on the azure seas. The master of a trading dandy Hires Robin for a go of brandy; And all the happy hills of home Vanish beyond the fields of foam.

Ben, meanwhile, like a tin reflector, Attended on the worthy rector; Opened his eyes and held his breath, And flattered to the point of death; And was at last, by that good fairy, Apprenticed to the Apothecary.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Call of the Canyon by Zane Grey:

errand.

"I'm glad it's Rust you want to see," replied the nurse. "Some of these boys are going to die. And some will be worse off if they live. But Rust may get well if he'll only behave. You are a relative--or friend?"

"I don't know him," answered Carley. "But I have a friend who was with him in France."

The nurse led Carley into a long narrow room with a line of single beds down each side, a stove at each end, and a few chairs. Each bed appeared to have an occupant and those nearest Carley lay singularly quiet. At the far end of the room were soldiers on crutches, wearing bandages on their beads, carrying their arms in slings. Their merry voices contrasted discordantly


The Call of the Canyon
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar:

one's heart a nest of discouragement and sadness at what seems the uselessness of it all. Annette had now a new incentive to work; the fisherman had once praised her voice when she hummed a barcarole on the sands, and he had insisted that there was power in its rich notes. Though the fisherman had showed no cause why he should be accepted as a musical critic, Annette had somehow respected his judgment and been accordingly elated.

It was the night of the opening of the opera. There was the usual crush, the glitter and confusing radiance of the brilliant audience. Annette, with papa, Aunt Nina, and Philip, was late reaching her box. The curtain was up, and "La Juive" was pouring


The Goodness of St. Rocque and Other Stories