The first excerpt represents the past or something you must release, and is drawn from House of Seven Gables by Nathaniel Hawthorne: graver, more womanly, and deeper-eyed, in token of a heart that
had begun to suspect its depths,--still there was the quiet glow
of natural sunshine over her. Neither had she forfeited her proper
gift of making things look real, rather than fantastic, within her
sphere. Yet we feel it to be a questionable venture, even for Phoebe,
at this juncture, to cross the threshold of the Seven Gables. Is her
healthful presence potent enough to chase away the crowd of pale,
hideous, and sinful phantoms, that have gained admittance there
since her departure? Or will she, likewise, fade, sicken, sadden,
and grow into deformity, and be only another pallid phantom, to glide
noiselessly up and down the stairs, and affright children as she
House of Seven Gables |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Thus Spake Zarathustra by Friedrich Nietzsche: Will to Power--: but how doth that take place? Who hath taught it also to
will backwards?
--But at this point in his discourse it chanced that Zarathustra suddenly
paused, and looked like a person in the greatest alarm. With terror in his
eyes did he gaze on his disciples; his glances pierced as with arrows their
thoughts and arrear-thoughts. But after a brief space he again laughed,
and said soothedly:
"It is difficult to live amongst men, because silence is so difficult--
especially for a babbler."--
Thus spake Zarathustra. The hunchback, however, had listened to the
conversation and had covered his face during the time; but when he heard
Thus Spake Zarathustra |
The third excerpt represents the future or something you must embrace, and is drawn from Tono Bungay by H. G. Wells: it--
"Why couldn't they leave him alone?" she repeated in a whisper as
we went towards the inn.
CHAPTER THE SECOND
LOVE AMONG THE WRECKAGE
I
When I came back I found that my share in the escape and death of
my uncle had made me for a time a notorious and even popular
character. For two weeks I was kept in London "facing the
music," as he would have said, and making things easy for my
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