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Today's Stichomancy for Richard Wilhelm

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Alkahest by Honore de Balzac:

bones were very prominent, which made the cheeks themselves, already withered, seem more sunken; his mouth, full of sweetness, was squeezed in between the nose and a short chin, which projected sharply. The shape of the face, however, was long rather than oval, and the scientific doctrine which sees in every human face a likeness to an animal would have found its confirmation in that of Balthazar Claes, which bore a strong resemblance to a horse's head. The skin clung closely to the bones, as though some inward fire were incessantly drying its juices. Sometimes, when he gazed into space, as if to see the realization of his hopes, it almost seemed as though the flames that devoured his soul were issuing from his nostrils.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mayor of Casterbridge by Thomas Hardy:

It might have been supposed that, given a girl rapidly becoming good-looking, comfortably circumstanced, and for the first time in her life commanding ready money, she would go and make a fool of herself by dress. But no. The reasonableness of almost everything that Elizabeth did was nowhere more conspicuous than in this question of clothes. To keep in the rear of opportunity in matters of indulgence is as valuable a habit as to keep abreast of opportunity in matters of enterprise. This unsophisticated girl did it by an innate perceptiveness that was almost genius. Thus she refrained from bursting out like a water-flower that spring,


The Mayor of Casterbridge
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Touchstone by Edith Wharton:

of an Italian cabinet. "What ought I to do? You're just the fellow to advise me." He felt the blood in his cheek as he spoke.

Flamel sat with meditative eye. "What do you WANT to do with them?" he asked.

"I want to publish them," said Glennard, swinging round with sudden energy--"If I can--"

"If you can? They're yours, you say?"

"They're mine fast enough. There's no one to prevent--I mean there are no restrictions--" he was arrested by the sense that these accumulated proofs of impunity might precisely stand as the strongest check on his action.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Albert Savarus by Honore de Balzac:

years had been drawing an income of fifty thousand francs a year, did not spend more than four-and-twenty thousand francs a year, while receiving all the upper circle of Besancon every Monday and Friday. On Monday they gave a dinner, on Friday an evening party. Thus, in twelve years, what a sum must have accumulated from twenty-six thousand francs a year, saved and invested with the judgment that distinguishes those old families! It was very generally supposed that Madame de Watteville, thinking she had land enough, had placed her savings in the three per cents, in 1830. Rosalie's dowry would therefore, as the best informed opined, amount to about twenty thousand francs a year. So for the last five years Amedee had worked like a mole to get into


Albert Savarus