Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Richard Wilhelm

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from De Profundis by Oscar Wilde:

acknowledged. It is usually discerned, if discerned at all, by the historian, or the critic, long after both the man and his age have passed away. With me it was different. I felt it myself, and made others feel it. Byron was a symbolic figure, but his relations were to the passion of his age and its weariness of passion. Mine were to something more noble, more permanent, of more vital issue, of larger scope.

The gods had given me almost everything. But I let myself be lured into long spells of senseless and sensual ease. I amused myself with being a FLANEUR, a dandy, a man of fashion. I surrounded myself with the smaller natures and the meaner minds. I became the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Options by O. Henry:

tales is no more than a matter of ears and fingers. There are only two fates I dread--deafness and writer's cramp. The hand is yet steady; let the ear bear the blame if these printed words be not in the order they were delivered to me by Hunky Magee, true camp-follower of fortune.

Biography shall claim you but an instant--I first knew Hunky when he was head-waiter at Chubb's little beefsteak restaurant and cafe on Third Avenue. There was only one waiter besides.

Then, successively, I caromed against him in the little streets of the Big City after his trip to Alaska, his voyage as cook with a treasure- seeking expedition to the Caribbean, and his failure as a pearl-fisher


Options
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Pierre Grassou by Honore de Balzac:

had a dull complexion, brown eyes, black hair, a turned-up nose, rather wide mouth, and long ears. His gentle, passive, and resigned air gave a certain relief to these leading features of a physiognomy that was full of health, but wanting in action. This young man, born to be a virtuous bourgeois, having left his native place and come to Paris to be clerk with a color-merchant (formerly of Mayenne and a distant connection of the Orgemonts) made himself a painter simply by the fact of an obstinacy which constitutes the Breton character. What he suffered, the manner in which he lived during those years of study, God only knows. He suffered as much as great men suffer when they are hounded by poverty and hunted like wild beasts by the pack of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Son of Tarzan by Edgar Rice Burroughs:

A two days' march brought them at last to the familiar scenes of her childhood, and the first face upon which she set her eyes as she was driven through the gates into the strong stockade was that of the toothless, hideous Mabunu, her one time nurse. It was as though all the years that had intervened were but a dream. Had it not been for her clothing and the fact that she had grown in stature she might well have believed it so. All was there as she had left it--the new faces which supplanted some of the old were of the same bestial, degraded type. There were a few young Arabs who had joined The Sheik since she had been away. Otherwise all was the same--all but one. Geeka was not there, and she found


The Son of Tarzan