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Today's Stichomancy for Ridley Scott

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ion by Plato:

a whole art, the enquiry into good and bad is one and the same. Let us consider this matter; is not the art of painting a whole?

ION: Yes.

SOCRATES: And there are and have been many painters good and bad?

ION: Yes.

SOCRATES: And did you ever know any one who was skilful in pointing out the excellences and defects of Polygnotus the son of Aglaophon, but incapable of criticizing other painters; and when the work of any other painter was produced, went to sleep and was at a loss, and had no ideas; but when he had to give his opinion about Polygnotus, or whoever the painter might be, and about him only, woke up and was attentive and had

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Phaedrus by Plato:

his admirers in what is often a long and tedious composition. Now what is that sort of thing but a regular piece of authorship?

PHAEDRUS: True.

SOCRATES: And if the law is finally approved, then the author leaves the theatre in high delight; but if the law is rejected and he is done out of his speech-making, and not thought good enough to write, then he and his party are in mourning.

PHAEDRUS: Very true.

SOCRATES: So far are they from despising, or rather so highly do they value the practice of writing.

PHAEDRUS: No doubt.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Damaged Goods by Upton Sinclair:

"Come, now," cried Madame Dupont, "tell us why?"

"I have told you. I have thought it over."

"Thought what over?"

"Well, I have thought."

"Oh," cried the mother, "what a stupid reply! 'I have thought it over! I have thought it over!' Thought WHAT over, I want to know!"

"Well, everything."

"Don't you know how to tell us what?"

"I tell you, everything."

"Why," exclaimed Madame Dupont, "you are an imbecile!"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Old Indian Legends by Zitkala-Sa:

"Now, you may jump first," said Iktomi.

Patkasa, with doubled fists, swung his fat arms to and fro, all the while biting hard his under lip.

Just before the run and leap Iktomi put in: "Let the winner have the deer to eat!"

It was too late now to say no. Patkasa was more afraid of being called a coward than of losing the deer. "Ho-wo," he replied, still working his short arms. At length he started off on the run. So quick and small were his steps that he seemed to be kicking the ground only. Then the leap! But Patkasa tripped upon a stick and fell hard against the side of the deer.