Today's Stichomancy for Ridley Scott

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Historical Lecturers and Essays by Charles Kingsley:

what might they not do when the hour and the man arrived? They were not a BIG nation. No; but they were a GREAT nation, even while they were eating barley-bread and paying tribute to their conquerors the Medes, in the sterile valleys of Farsistan.

And at last the hour and the man came. The story is half legendary- -differently told by different authors. Herodotus has one tale, Xenophon another. The first, at least, had ample means of information. Astyages is the old shah of the Median Empire, then at the height of its seeming might and splendour and effeminacy. He has married his daughter, the Princess Mandane, to Cambyses, seemingly a vassal-king or prince of the pure Persian blood. One

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Timaeus by Plato:

triangles or in proportions of 1:2:4:8 and 1:3:9:27, or compounds of them, the laws of the world seemed to be more than half revealed. They were also capable of infinite subdivision--a wonder and also a puzzle to the ancient thinker (Rep.). They were not, like being or essence, mere vacant abstractions, but admitted of progress and growth, while at the same time they confirmed a higher sentiment of the mind, that there was order in the universe. And so there began to be a real sympathy between the world within and the world without. The numbers and figures which were present to the mind's eye became visible to the eye of sense; the truth of nature was mathematics; the other properties of objects seemed to reappear only in the light of number. Law and morality also found a natural expression in

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Lost Princess of Oz by L. Frank Baum:

grumbled Button-Bright.

And then the Lavender Bear King asked, "Would you like to see this magical shoemaker?"

"Wouldn't he know it?" Dorothy inquired.

"No, I think not."

Then the King waved his metal wand and before them appeared a room in the wicker castle of Ugu. On the wall of the room hung Ozma's Magic Picture, and seated before it was the Magician. They could see the Picture as well as he could, because it faced them, and in the Picture was the hillside where they were not sitting, all their forms being reproduced in miniature. And curiously enough, within the scene of

The Lost Princess of Oz

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Turn of the Screw by Henry James:

I never lost patience with them. Adorable they must in truth have been, I now reflect, that I didn't in these days hate them! Would exasperation, however, if relief had longer been postponed, finally have betrayed me? It little matters, for relief arrived. I call it relief, though it was only the relief that a snap brings to a strain or the burst of a thunderstorm to a day of suffocation. It was at least change, and it came with a rush.

XIV

Walking to church a certain Sunday morning, I had little Miles at my side and his sister, in advance of us and at Mrs. Grose's, well in sight. It was a crisp, clear day, the first of its order for some time;