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Today's Stichomancy for Ridley Scott

The first excerpt represents the past or something you must release, and is drawn from Lemorne Versus Huell by Elizabeth Drew Stoddard:

doctor's prescription she should leave, as ignorant of the peculiar pleasures of Newport as when she arrived. She had no fancy for its conglomerate societies, its literary cottages, its parvenue suits of rooms, its saloon habits, and its bathing herds.

I considered the rides a part of the contract of what was expected in my two months' performance. I did not dream that I was enjoying them, any more than I supposed myself to be enjoying a sea-bath while pulling Aunt Eliza to and fro in the surf. Nothing in the life around me stirred me, nothing in nature attracted me. I liked the fog; somehow it seemed to emanate from me instead of rolling up from the ocean, and to represent me. Whether I went

The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Pair of Blue Eyes by Thomas Hardy:

you?'

'To save mine on the cliff yonder. The poor child was with me looking at the approach of the Puffin steamboat, and I slipped down. We both had a narrow escape. I wish we had died there!'

'Ah, but wait,' Stephen pleaded with wet eyes. 'She went on that cliff to see me arrive home: she had promised it. She told me she would months before. And would she have gone there if she had not cared for me at all?'

'You have an idea that Elfride died for you, no doubt,' said Knight, with a mournful sarcasm too nerveless to support itself.

'Never mind. If we find that--that she died yours, I'll say no


A Pair of Blue Eyes
The third excerpt represents the future or something you must embrace, and is drawn from Menexenus by Plato:

intended to rival that great work. If genuine, the proper place of the Menexenus would be at the end of the Phaedrus. The satirical opening and the concluding words bear a great resemblance to the earlier dialogues; the oration itself is professedly a mimetic work, like the speeches in the Phaedrus, and cannot therefore be tested by a comparison of the other writings of Plato. The funeral oration of Pericles is expressly mentioned in the Phaedrus, and this may have suggested the subject, in the same manner that the Cleitophon appears to be suggested by the slight mention of Cleitophon and his attachment to Thrasymachus in the Republic; and the Theages by the mention of Theages in the Apology and Republic; or as the Second Alcibiades seems to be founded upon the text of Xenophon, Mem. A