Today's Stichomancy for Ringo Starr

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Death of the Lion by Henry James:

to his moustache. "SHALL I go in?" he presently asked.

We looked at each other hard a moment; then I expressed something bitter that was in me, expressed it in an infernal "Do!" After this I got out into the air, but not so fast as not to hear, when the door of the drawing-room opened, the disconcerted drop of Miss Collop's public manner: she must have been in the midst of the larger latitude. Producing with extreme rapidity, Guy Walsingham has just published a work in which amiable people who are not initiated have been pained to see the genius of a sister-novelist held up to unmistakeable ridicule; so fresh an exhibition does it seem to them of the dreadful way men have always treated women.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Alkahest by Honore de Balzac:

like steps, as low down as the string-course of the upper floor, where the rain from the roof fell to right and left of the house through the jaws of a fantastic gargoyle. A freestone foundation projected like a step at the base of the house; and on either side of the entrance, between the two windows, was a trap-door, clamped by heavy iron bands, through which the cellars were entered,--a last vestige of ancient usages.

From the time the house was built, this facade had been carefully cleaned twice a year. If a little mortar fell from between the bricks, the crack was instantly filled up. The sashes, the sills, the copings, were dusted oftener than the most precious sculptures in the Louvre.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Episode Under the Terror by Honore de Balzac:

at a time when famine threatened Paris, invisible hands brought rations of "white bread" for the proscribed women in the wretched garret. Still they fancied that Citizen Mucius Scaevola was only the mysterious instrument of a kindness always ingenious, and no less intelligent.

The noble ladies in the garret could no longer doubt that their protector was the stranger of the expiatory mass on the night of the 22nd of January, 1793; and a kind of cult of him sprung up among them. Their one hope was in him; they lived through him. They added special petitions for him to their prayers; night and morning the pious souls prayed for his happiness, his prosperity, his safety; entreating God

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Duchesse de Langeais by Honore de Balzac:

tone of the Faubourg Saint-Germain. The words of this Talleyrand in petticoats were taken as final decrees. People came to consult her on questions of etiquette or usages, or to take lessons in good taste. And, in truth, no other old woman could put back her snuff-box in her pocket as the Princess could; while there was a precision and a grace about the movements of her skirts, when she sat down or crossed her feet, which drove the finest ladies of the young generation to despair. Her voice had remained in her head during one-third of her lifetime; but she could not prevent a descent into the membranes of the nose, which lent to it a peculiar expressiveness. She still retained a