| The first excerpt represents the past or something you must release, and is drawn from The Happy Prince and Other Tales by Oscar Wilde: every kind, for I am extremely sensitive. No one in the whole
world is so sensitive as I am, I am quite sure of that."
"What is a sensitive person?" said the Cracker to the Roman Candle.
"A person who, because he has corns himself, always treads on other
people's toes," answered the Roman Candle in a low whisper; and the
Cracker nearly exploded with laughter.
"Pray, what are you laughing at?" inquired the Rocket; "I am not
laughing."
"I am laughing because I am happy," replied the Cracker.
"That is a very selfish reason," said the Rocket angrily. "What
right have you to be happy? You should be thinking about others.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Prince by Nicolo Machiavelli: of "The Prince," from whose conduct and fate he drew the moral that it
is far better to earn the confidence of the people than to rely on
fortresses. This is a very noticeable principle in Machiavelli, and is
urged by him in many ways as a matter of vital importance to princes.
In 1500 he was sent to France to obtain terms from Louis XII for
continuing the war against Pisa: this king it was who, in his conduct
of affairs in Italy, committed the five capital errors in statecraft
summarized in "The Prince," and was consequently driven out. He, also,
it was who made the dissolution of his marriage a condition of support
to Pope Alexander VI; which leads Machiavelli to refer those who urge
that such promises should be kept to what he has written concerning
The Prince |
The third excerpt represents the future or something you must embrace, and is drawn from Idylls of the King by Alfred Tennyson: And inward to the wall; he stept behind;
Thence in a moment heard them pass like wolves
Howling; but while he stared about the shrine,
In which he scarce could spy the Christ for Saints,
Beheld before a golden altar lie
The longest lance his eyes had ever seen,
Point-painted red; and seizing thereupon
Pushed through an open casement down, leaned on it,
Leapt in a semicircle, and lit on earth;
Then hand at ear, and harkening from what side
The blindfold rummage buried in the walls
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