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Today's Stichomancy for Robert A. Heinlein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from My Bondage and My Freedom by Frederick Douglass:

preached. The grand secret of its power is, that each of its principles is easily rendered appreciable to the faculty of reason in man, and that the most unenlightened conscience has no difficulty in deciding on which side to register its testimony. It can call its preachers from among the fishermen, and raise them to power. In every human breast, it has an advocate which can be silent only when the heart is dead. It comes home to every man's understanding, and appeals directly to every man's conscience. A man that does not recognize and approve for himself the rights and privileges contended for, in behalf of the American slave, has not yet been found. In whatever else men may


My Bondage and My Freedom
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Catherine de Medici by Honore de Balzac:

several arm-chairs, a table, and writing-materials.

"Begin the /proces verbal/," said Monsieur de Montresor, motioning to the table the second personage, who was dressed in black, and was evidently a clerk. Then the provost went up to Christophe, and said to him in a very gentle way: "My friend, the chancellor, having learned that you refuse to answer me in a satisfactory manner, decrees that you be put to the question, ordinary and extraordinary."

"Is he in good health, and can he bear it?" said the clerk to the doctor.

"Yes," replied the latter, who was one of the physicians of the house of Lorraine.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Tenant of Wildfell Hall by Bronte Sisters:

describe. I may have gone too far; in which case I shall be careful not to trouble myself or my readers in the same way again; but when we have to do with vice and vicious characters, I maintain it is better to depict them as they really are than as they would wish to appear. To represent a bad thing in its least offensive light is, doubtless, the most agreeable course for a writer of fiction to pursue; but is it the most honest, or the safest? Is it better to reveal the snares and pitfalls of life to the young and thoughtless traveller, or to cover them with branches and flowers? Oh, reader! if there were less of this delicate concealment of facts - this whispering, 'Peace, peace,' when there is no peace,


The Tenant of Wildfell Hall
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Fisherman's Luck by Henry van Dyke:

and broiling, and their notion of boiling a potato or a fish is to reduce it to a pulp. Now and then you find a man who has a natural inclination to the culinary art, and who does very well within familiar limits.

Old Edouard, the Montaignais Indian who cooked for my friends H. E. G. and C. S. D. last summer on the STE. MARGUERITE EN BAS, was such a man. But Edouard could not read, and the only way he could tell the nature of the canned provisions was by the pictures on the cans. If the picture was strange to him, there was no guessing what he would do with the contents of the can. He was capable of roasting strawberries, and serving green peas cold for dessert. One day a