| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Sylvie and Bruno by Lewis Carroll: cruel and dangerous 'cause, if oo wented too far and tumbleded in,
oo'd get drownded."
"No, not river-edge," I explained: "revenge" (saying the word very
slowly). But I couldn't help thinking that Bruno's explanation did
very well for either word.
"Oh!" said Bruno, opening his eyes very wide, but without trying to
repeat the word.
"Come! Try and pronounce it, Bruno!" I said, cheerfully. "Re-venge,
re-venge."
But Bruno only tossed his little head, and said he couldn't; that his
mouth wasn't the right shape for words of that kind. And the more I
 Sylvie and Bruno |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Adieu by Honore de Balzac: and found some assuaging of his sorrow. He had the courage to slowly
tame the countess by bringing her sweetmeats; he took such pains in
choosing them, and he learned so well how to keep the little conquests
he sought to make upon her instincts--that last shred of her intellect
--that he ended by making her much TAMER than she had ever been.
Every morning he went into the park, and if, after searching for her
long, he could not discover on what tree she was swaying, nor the
covert in which she crouched to play with a bird, nor the roof on
which she might have clambered, he would whistle the well-known air of
"Partant pour la Syrie," to which some tender memory of their love
attached. Instantly, Stephanie would run to him with the lightness of
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Underdogs by Mariano Azuela: "That's God's truth! They've no guts! That's the trouble
with them!"
Demetrio's men camped in a corral.
"Do you remember Camilla?" Demetrio asked with a
sigh as he settled on his back on the manure pile where
the rest were already stretched out.
"Camilla? What girl do you mean, Demetrio?"
"The girl that used to feed me up there at the ranch!"
Anastasio made a gesture implying: "I don't care a
damn about the women ... Camilla or anyone else...."
"I've not forgotten," Demetrio went on, drawing on his
 The Underdogs |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Marie by H. Rider Haggard: was not meant that I should escape.
A week went by thus--believe me, a very terrible week. During that time
my sole companion was the pretty young woman, Naya. We became friends
in a way and talked on a variety of subjects. Only, at the end of our
conversations I always found that I had gained no information whatsoever
about any matter of immediate interest. On such points as the history
of the Zulu and kindred tribes, or the character of Chaka, the great
king, or anything else that was remote she would discourse by the hour.
But when we came to current events, she dried up like water on a red-hot
brick. Still, Naya grew, or pretended to grow, quite attached to me.
She even suggested naively that I might do worse than marry her, which
 Marie |