| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Alexandria and her Schools by Charles Kingsley: a philosophically inclined freshman, "remember, that our business is to
translate Plato correctly, not to discover his meaning." And,
paradoxical as it may seem, he was right. Let us first have accuracy,
the merest mechanical accuracy, in every branch of knowledge. Let us
know what the thing is which we are looking at. Let us know the exact
words an author uses. Let us get at the exact value of each word by
that severe induction of which Buttmann and the great Germans have set
such noble examples; and then, and not till then, we may begin to talk
about philosophy, and aesthetics, and the rest. Very Probably
Aristarchus was right in his dislike of Crates's preference of what he
called criticism, to grammar. Very probably he connected it with the
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Amy Foster by Joseph Conrad: keen of eye. Imagination, no doubt; but it seems
to me now as if the net of fate had been drawn
closer round him already.
"One day I met him on the footpath over the
Talfourd Hill. He told me that 'women were fun-
ny.' I had heard already of domestic differences.
People were saying that Amy Foster was begin-
ning to find out what sort of man she had married.
He looked upon the sea with indifferent, unseeing
eyes. His wife had snatched the child out of his
arms one day as he sat on the doorstep crooning to
 Amy Foster |