Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Robert Anton Wilson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Treatise on Parents and Children by George Bernard Shaw:

it is wrecking ours, is inhuman and unnatural. We must reconsider our institution of the Coming of Age, which is too late for some purposes, and too early for others. There should be a series of Coming of Ages for every individual. The mammals have their first coming of age when they are weaned; and it is noteworthy that this rather cruel and selfish operation on the part of the parent has to be performed resolutely, with claws and teeth; for your little mammal does not want to be weaned, and yields only to a pretty rough assertion of the right of the parent to be relieved of the child as soon as the child is old enough to bear the separation. The same thing occurs with children: they hang on to the mother's apron-string and the father's coat tails

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Hidden Masterpiece by Honore de Balzac:

means of half-tints, and glazings whose transparency I kept diminishing little by little, I was able to cast strong shadows deepening almost to blackness. The shadows of ordinary painters are not of the same texture as their tones of light. They are wood, brass, iron, anything you please except flesh in shadow. We feel that if the figures changed position the shady places would not be wiped off, and would remain dark spots which never could be made luminous. I have avoided that blunder, though many of our most illustrious painters have fallen into it. In my work you will see whiteness beneath the opacity of the broadest shadow. Unlike the crowd of ignoramuses, who fancy they draw correctly because they can paint one good vanishing

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Damaged Goods by Upton Sinclair:

"Yes ma'am," said the nurse.

"And you won't come later on to make reproaches to us? We understand one another clearly? We have warned you that the child is sick and that you could catch the disease. Because of that, because of the special need of care which she has, we promise you five hundred francs at the end of the nursing. That's all right, is it?

"But, my lady," cried the nurse, all her cupidity awakened, "you spoke just now of a thousand francs."

"Very well, then, a thousand francs."

George passed behind the nurse and got his mother by the arm,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Frankenstein by Mary Shelley:

harmony with man than those who pile the glacier or retire to the inaccessible peaks of the mountains of our own country." Clerval! Beloved friend! Even now it delights me to record your words and to dwell on the praise of which you are so eminently deserving. He was a being formed in the "very poetry of nature." His wild and enthusiastic imagination was chastened by the sensibility of his heart. His soul overflowed with ardent affections, and his friendship was of that devoted and wondrous nature that the world-minded teach us to look for only in the imagination. But even human sympathies were not sufficient to satisfy his eager mind. The scenery of external nature, which


Frankenstein