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Today's Stichomancy for Robert Anton Wilson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Frankenstein by Mary Shelley:

scientific, and I was left to struggle with a child's blindness, added to a student's thirst for knowledge. Under the guidance of my new preceptors I entered with the greatest diligence into the search of the philosopher's stone and the elixir of life; but the latter soon obtained my undivided attention. Wealth was an inferior object, but what glory would attend the discovery if I could banish disease from the human frame and render man invulnerable to any but a violent death! Nor were these my only visions. The raising of ghosts or devils was a promise liberally accorded by my favourite authors, the fulfillment of which I most eagerly sought; and if my incantations were always unsuccessful, I attributed the failure


Frankenstein
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Life and Adventures of Santa Claus by L. Frank Baum:

He helped the Ryls to feed their plants and the Knooks to keep order among the animals. The little immortals regarded him as a privileged person, being especially protected by Queen Zurline and her nymphs and favored by the great Ak himself.

One day the Master Woodsman came back to the forest of Burzee. He had visited, in turn, all his forests throughout the world, and they were many and broad.

Not until he entered the glade where the Queen and her nymphs were assembled to greet him did Ak remember the child he had permitted Necile to adopt. Then he found, sitting familiarly in the circle of lovely immortals, a broad-shouldered, stalwart youth, who, when erect,


The Life and Adventures of Santa Claus
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Falk by Joseph Conrad:

He was lying full length on the stern settee, his face buried in the cushions. I had expected to see it discomposed, contorted, despairing. It was nothing of the kind; it was just as I had seen it twenty times, steady and glaring from the bridge of the tug. It was immovably set and hungry, dominated like the whole man by the singleness of one instinct.

He wanted to live. He had always wanted to live. So we all do--but in us the instinct serves a complex conception, and in him this instinct existed


Falk
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Salammbo by Gustave Flaubert:

noise of platters, and it was in this way that Gisco had seen Salammbo. He had guessed that she was a Carthaginian woman by the little balls of sandastrum flapping against her cothurni; and having a presentiment of an important mystery he had succeeded, with the assistance of his companions, in getting out of the pit; then with elbows and hands he had dragged himself twenty paces further on as far as Matho's tent. Two voices were speaking within it. He had listened outside and had heard everything.

"It is you!" she said at last, almost terrified.

"Yes, it is I!" he replied, raising himself on his wrists. "They think me dead, do they not?"


Salammbo