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Today's Stichomancy for Robert Anton Wilson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Jerusalem Delivered by Torquato Tasso:

The seat of angels pure, and saints divine, And there he learned of things and haps to come, To give foreknowledge true, and certain doom.

LXXIV At last he spoke, in more than human sound, And told what things his wisdom great foresaw, And at his thundering voice the folk around Attentive stood, with trembling and with awe: "Rinaldo lives," he said, "the tokens found From women's craft their false beginnings draw, He lives, and heaven will long preserve his days,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from War and the Future by H. G. Wells:

a commission and drew him, in spite of considerable resistance, out of the firing line. To which he always returns whenever he can get a visitor to take with him as an excuse. He now stood up, fairly high and clear, explaining casually that the Germans were no longer firing, and showed me the points of interest.

I had come right up to No Man's Land at last. It was under my chin. The skyline, the last skyline before the British could look down on Bapaume, showed a mangy wood and a ruined village, crouching under repeated gobbings of British shrapnel. "They've got a battery just there, and we're making it uncomfortable." No Man's Land itself is a weedy space broken up by shell craters,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

remember. However much the directors and chiefs of all kinds were changed, he was always to be seen in the same place, the same attitude, the same occupation; so that it was afterwards affirmed that he had been born in undress uniform with a bald head. No respect was shown him in the department. The porter not only did not rise from his seat when he passed, but never even glanced at him, any more than if a fly had flown through the reception-room. His superiors treated him in coolly despotic fashion. Some sub-chief would thrust a paper under his nose without so much as saying, "Copy," or "Here's a nice interesting affair," or anything else agreeable, as is customary amongst well-bred officials. And he took it, looking only at the paper and not observing


Taras Bulba and Other Tales
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Black Arrow by Robert Louis Stevenson:

bending the bow with a great effort, his face crimson with hurry.

"Who goes?" he shouted. "Hugh, who goes?"

"'Tis Master Shelton, John," replied the ferryman.

"Stand, Dick Shelton!" bawled the man upon the island. "Ye shall have no hurt, upon the rood! Stand! Back out, Hugh Ferryman."

Dick cried a taunting answer.

"Nay, then, ye shall go afoot," returned the man; and he let drive an arrow.

The horse, struck by the shaft, lashed out in agony and terror; the boat capsized, and the next moment all were struggling in the eddies of the river.