Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Robert De Niro

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Footnote to History by Robert Louis Stevenson:

the friends that I still count, I shall be sorry, but I need not be ashamed.

In one particular the spelling of Samoan words has been altered; and the characteristic nasal N of the language written throughout NG instead of G. Thus I put Pango-Pango, instead of Pago-Pago; the sound being that of soft NG in English, as in SINGER, not as in FINGER.

R. L. S. VAILIMA, UPOLU, SAMOA.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Maggie: A Girl of the Streets by Stephen Crane:

Maggie was paying no attention, being intent upon the doors. The mere boy relapsed into a period of gloom, during which he exterminated a number of cock-tails with a determined air, as if replying defiantly to fate. He occasionally broke forth into sentences composed of invectives joined together in a long string.

The girl was still staring at the doors. After a time the mere boy began to see cobwebs just in front of his nose. He spurred himself into being agreeable and insisted upon her having a charlotte-russe and a glass of beer.

"They's gone," he remarked, "they's gone." He looked at her through the smoke wreaths. "Shay, lil' girl, we mightish well make


Maggie: A Girl of the Streets
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Aesop's Fables by Aesop:

visit to his cousin in the country. He was rough and ready, this cousin, but he loved his town friend and made him heartily welcome. Beans and bacon, cheese and bread, were all he had to offer, but he offered them freely. The Town Mouse rather turned up his long nose at this country fare, and said: "I cannot understand, Cousin, how you can put up with such poor food as this, but of course you cannot expect anything better in the country; come you with me and I will show you how to live. When you have been in town a week you will wonder how you could ever have stood a country life." No sooner said than done: the two mice set off for the town and arrived at the Town Mouse's


Aesop's Fables
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

that if Imogen does not appreciate it, "it is a vice in her ears which horse hairs, and cats' guts, and the voice of unpaved eunuch to boot, can never amend," the sally of a saddened one. Is it not clear that to the last there was in Shakespear an incorrigible divine levity, an inexhaustible joy that derided sorrow? Think of the poor Dark Lady having to stand up to this unbearable power of extracting a grim fun from everything. Mr Harris writes as if Shakespear did all the suffering and the Dark Lady all the cruelty. But why does he not put himself in the Dark Lady's place for a moment as he has put himself so successfully in Shakespear's? Imagine her reading the hundred and thirtieth sonnet!