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Today's Stichomancy for Robert De Niro

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lady Windermere's Fan by Oscar Wilde:

him. We make gods of men and they leave us. Others make brutes of them and they fawn and are faithful. How hideous life is! . . . Oh! it was mad of me to come here, horribly mad. And yet, which is the worst, I wonder, to be at the mercy of a man who loves one, or the wife of a man who in one's own house dishonours one? What woman knows? What woman in the whole world? But will he love me always, this man to whom I am giving my life? What do I bring him? Lips that have lost the note of joy, eyes that are blinded by tears, chill hands and icy heart. I bring him nothing. I must go back - no; I can't go back, my letter has put me in their power - Arthur would not take me back! That fatal letter! No! Lord

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Hermione's Little Group of Serious Thinkers by Don Marquis:

And another said, "One of them shows intellect obviously mingled with spirit, but the other shows spirit occultly mingled with intellect."

Fothergil Finch said, "They are alike in their differences, but subtly differentiated in their like- nesses, n'est-cd pas?"

Fothy has a simply delightful faculty of summing a thing up in a sentence like that, but it makes him very vain if you show you think so; so I put him in his place and closed the discussion with one remark:

"It is all," I said, "it is ALL a question of Inter-

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Call of the Wild by Jack London:

touched him or spoke to him, he did not seek these tokens. Unlike Skeet, who was wont to shove her nose under Thornton's hand and nudge and nudge till petted, or Nig, who would stalk up and rest his great head on Thornton's knee, Buck was content to adore at a distance. He would lie by the hour, eager, alert, at Thornton's feet, looking up into his face, dwelling upon it, studying it, following with keenest interest each fleeting expression, every movement or change of feature. Or, as chance might have it, he would lie farther away, to the side or rear, watching the outlines of the man and the occasional movements of his body. And often, such was the communion in which they lived, the strength of Buck's

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

bought a Bull 'the finest that could be got,' and at the new moon of the month at the beginning of seed-time [? April] they dedicated it for the city's welfare. . . . The Bull was led in procession at the head of which went the chief priest and priestess of the city. With them went a herald and sacrificer, and two bands of youths and maidens. So holy was the Bull that nothing unlucky might come near him. The herald pronounced aloud a prayer for 'the safety of the city and the land, and the citizens, and the women and children, for peace and wealth, and for the bringing forth of grain and all other fruits,


Pagan and Christian Creeds