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Today's Stichomancy for Robert Downey Jr.

The first excerpt represents the past or something you must release, and is drawn from The Faith of Men by Jack London:

"'And wherefore now?' I demanded. 'Hast thou drunk overmuch? And are they sleeping sound in the igloo of Neewak, the shaman?'

"'Nay, they are angered and sore of body, and Chief Tummasook has thrust his thumbs in the throat of Neewak, and sworn by the bones of his ancestors to look upon his face no more. For behold! I went to the igloo, and the brew simmered and bubbled, and the steam journeyed through the gooseneck even as thy steam, and even as thine it became water where it met the ice, and dropped into the pot at the far end. And Neewak gave us to drink, and lo, it was not like thine, for there was no bite to the tongue nor tingling to the eyeballs, and of a truth it was water. So we drank, and we

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Fanny Herself by Edna Ferber:

trees; I've endured cold, and hunger and thirst, through you. It took me years to get used to the idea of passing a timber wolf without looking around, but I learned to do it-- because of you. You made me. They sent me to Colorado, a lonely kid, with a pretty fair chance of dying, and I would have, if it hadn't been for you. There! How's that for a burst of speech, young woman! And wait a minute. Remember, too, my name was Clarence. I had that to live down."

Fanny was staring at him eyes round, lips parted. "But why?" she said, faintly. "Why?"

Heyl smiled that singularly winning smile of his. "Since


Fanny Herself
The third excerpt represents the future or something you must embrace, and is drawn from Prince Otto by Robert Louis Stevenson:

the Prince, and made her a fine gesture of dismissal.

So Ottilia skipped up the bank, and disappeared into the thicket, stopping once for a single blushing bob - blushing, because she had in the interval once more forgotten and remembered the stranger's quality.

Otto returned to his rock promontory; but his humour had in the meantime changed. The sun now shone more fairly on the pool; and over its brown, welling surface, the blue of heaven and the golden green of the spring foliage danced in fleeting arabesque. The eddies laughed and brightened with essential colour. And the beauty of the dell began to rankle in the Prince's mind; it was so near to