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Today's Stichomancy for Robert Frost

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Almayer's Folly by Joseph Conrad:

the blast of this domestic tempest, accentuating only each pause in the torrent of his wife's eloquence by an angry growl, "There is no treasure! Go away, woman!" Exasperated by the sight of his patiently bent back, she would at last walk round so as to face him across the table, and clasping her robe with one hand she stretched the other lean arm and claw-like hand to emphasise, in a passion of anger and contempt, the rapid rush of scathing remarks and bitter cursings heaped on the head of the man unworthy to associate with brave Malay chiefs. It ended generally by Almayer rising slowly, his long pipe in hand, his face set into a look of inward pain, and walking away in silence.


Almayer's Folly
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Running a Thousand Miles for Freedom by William and Ellen Craft:

have concluded to do. I have just been to Rich- mond and made arrangements with my agent to make clean work of the forty that are left."

"Your son being a good Christian minister," said the gentleman, "It's strange he did not advise you to let the poor negroes have their liberty and go North."

"It's not at all strange, sir; it's not at all strange. My son knows what's best for the nig- gers; he has always told me that they were much better off than the free niggers in the North. In


Running a Thousand Miles for Freedom
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Burning Daylight by Jack London:

all the steel ships are built, isn't half as wide as Oakland Creek down there, where all those old hulks lie? Why ain't it a Firth of Clyde? Because the Oakland City Council spends its time debating about prunes and raisins. What is needed is somebody to see things, and, after that, organization. That's me. I didn't make Ophir for nothing. And once things begin to hum, outside capital will pour in. All I do is start it going. 'Gentlemen,' I say, 'here's all the natural advantages for a great metropolis.

God Almighty put them advantages here, and he put me here to see them. Do you want to land your tea and silk from Asia and ship it straight East? Here's the docks for your steamers, and here's

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Heart of Darkness by Joseph Conrad:

herself had tried to ward off intruders; in and out of rivers, streams of death in life, whose banks were rotting into mud, whose waters, thickened into slime, invaded the contorted mangroves, that seemed to writhe at us in the extremity of an impotent despair. Nowhere did we stop long enough to get a particularized impression, but the general sense of vague and oppressive wonder grew upon me. It was like a weary pilgrimage amongst hints for nightmares.

"It was upward of thirty days before I saw the mouth of the big river. We anchored off the seat of the government. But my work would not begin till some two hundred miles farther on. So as soon as I could I made a start for a place thirty


Heart of Darkness