| The first excerpt represents the past or something you must release, and is drawn from Les Miserables by Victor Hugo: of Senlis, usually standing erect, freshly powdered, in violet hose,
with his back turned to the door, apparently for the purpose of
allowing a better view of his little collar. All these ecclesiastics,
though for the most part as much courtiers as churchmen, added to the
gravity of the T. salon, whose seigniorial aspect was accentuated
by five peers of France, the Marquis de Vib****, the Marquis de
Tal***, the Marquis de Herb*******, the Vicomte Damb***, and the Duc
de Val********. This Duc de Val********, although Prince de Mon***,
that is to say a reigning prince abroad, had so high an idea of France
and its peerage, that he viewed everything through their medium.
It was he who said: "The Cardinals are the peers of France of Rome;
Les Miserables |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Memoir of Fleeming Jenkin by Robert Louis Stevenson: had been carried away, &c. At last I got off, and we rowed round
to Fort Genois, where my men had put up a capital gipsy tent with
sails, and there was my big board and Thomson's number 5 in great
glory. I soon came to the conclusion there was a break. Two of my
faithful Cagliaritans slept all night in the little tent, to guard
it and my precious instruments; and the sea, which was rather
rough, silenced my Frenchmen.
'Next day I went on with my experiments, whilst a boat grappled for
the cable a little way from shore and buoyed it where the ELBA
could get hold. I brought all back to the ELBA, tried my machinery
and was all ready for a start next morning. But the wretched coal
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The third excerpt represents the future or something you must embrace, and is drawn from The Aspern Papers by Henry James: partly in order not to look at that of my interlocutress,
which had begun to trouble me, even to frighten me a little--
it was so self-conscious, so unnatural. I made no answer to this
last declaration; I only privately consulted Jeffrey Aspern's
delightful eyes with my own (they were so young and brilliant,
and yet so wise, so full of vision); I asked him what on earth
was the matter with Miss Tita. He seemed to smile at me
with friendly mockery, as if he were amused at my case.
I had got into a pickle for him--as if he needed it!
He was unsatisfactory, for the only moment since I had
known him. Nevertheless, now that I held the little picture
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