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Today's Stichomancy for Robert Redford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Bucky O'Connor by William MacLeod Raine:

big ranch, and its hospitality was famous all over the Southwest. It was quite unnecessary to make special efforts to entertain, but Webb and his wife took that means of relieving the strain on them till night.

Higher crept the hot sun of baked Arizona. It passed the zenith and began to descend toward the purple hills in the west, went behind them with a great rainbow splash of brilliancy peculiar to that country Dusk came, and died away in the midst of a love-concert of quails. Velvet night, with its myriad stars, entranced the land and made magic of its hills and valleys.

For the fiftieth time Webb dragged out his watch and consulted

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Historical Lecturers and Essays by Charles Kingsley:

to know facts which were taking place around them than any critic could be one hundred or three hundred years afterwards. But if these mistakes as to facts actually exist in them, they are only a fresh argument for their authenticity. Mary, writing in agony and confusion, might easily make a mistake: forgers would only take too good care to make none.

But the strongest evidence in favour of the letters and sonnets, in spite of the arguments of good Dr. Whittaker and other apologists for Mary, is to be found in their tone. A forger in those coarse days would have made Mary write in some Semiramis or Roxana vein, utterly alien to the tenderness, the delicacy, the pitiful confusion

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Mirror of the Sea by Joseph Conrad:

low sun glared angrily from a chaotic sky upon a confused and tremendous sea dashing itself upon a coast. We recognised the headland, and looked at each other in the silence of dumb wonder. Without knowing it in the least, we had run up alongside the Isle of Wight, and that tower, tinged a faint evening red in the salt wind-haze, was the lighthouse on St. Catherine's Point.

My skipper recovered first from his astonishment. His bulging eyes sank back gradually into their orbits. His psychology, taking it all round, was really very creditable for an average sailor. He had been spared the humiliation of laying his ship to with a fair wind; and at once that man, of an open and truthful nature, spoke


The Mirror of the Sea
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Mrs. Warren's Profession by George Bernard Shaw:

[She resumes her work].

THE GENTLEMAN. Indeed! Perhaps--may I ask are you Miss Vivie Warren?

THE YOUNG LADY [sharply, as she turns on her elbow to get a good look at him] Yes.

THE GENTLEMAN [daunted and conciliatory] I'm afraid I appear intrusive. My name is Praed. [Vivie at once throws her books upon the chair, and gets out of the hammock]. Oh, pray don't let me disturb you.

VIVIE [striding to the gate and opening it for him] Come in, Mr Praed. [He comes in]. Glad to see you. [She proffers her hand