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Today's Stichomancy for Roman Polanski

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Marriage Contract by Honore de Balzac:

my predilection for the life of the East. After thirty-five years of slumber, my highly-respected mother woke up to the recollection that she had a son who might do her honor. Often when a vine-stock is eradicated, some years after shoots come up to the surface of the ground; well, my dear boy, my mother had almost torn me up by the roots from her heart, and I sprouted again in her head. At the age of fifty-eight, she thinks herself old enough to think no more of any men but her son. At this juncture she has met in some hot- water cauldron, at I know not what baths, a delightful old maid-- English, with two hundred and forty thousand francs a year; and, like a good mother, she has inspired her with an audacious

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A House of Pomegranates by Oscar Wilde:

his voice, she took out of her hair the beautiful white rose, and partly for a jest and partly to tease the Camerera, threw it to him across the arena with her sweetest smile, he took the whole matter quite seriously, and pressing the flower to his rough coarse lips he put his hand upon his heart, and sank on one knee before her, grinning from ear to ear, and with his little bright eyes sparkling with pleasure.

This so upset the gravity of the Infanta that she kept on laughing long after the little Dwarf had ran out of the arena, and expressed a desire to her uncle that the dance should be immediately repeated. The Camerera, however, on the plea that the sun was too

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Tapestried Chamber by Walter Scott:

British school.

Enough has been said and sung about

"The well-contested ground, The warlike Border-land,"

to render the habits of the tribes who inhabited it before the union of England and Scotland familiar to most of your readers. The rougher and sterner features of their character were softened by their attachment to the fine arts, from which has arisen the saying that on the frontiers every dale had its battle, and every river its song. A rude species of chivalry was in constant use, and single combats were practised as the amusement of the few

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sylvie and Bruno by Lewis Carroll:

"Well, now, if I take this book, and hold it out at arm's length, of course I feel its weight. It is trying to fall, and I prevent it. And, if I let go, it fails to the floor. But, if we were all falling together, it couldn't be trying to fall any quicker, you know: for, if I let go, what more could it do than fall? And, as my hand would be falling too--at the same rate--it would never leave it, for that would be to get ahead of it in the race. And it could never overtake the failing floor!"

"I see it clearly," said Lady Muriel. "But it makes one dizzy to think of such things! How can you make us do it?"

"There is a more curious idea yet," I ventured to say. "Suppose a cord


Sylvie and Bruno