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Today's Stichomancy for Roman Polanski

The first excerpt represents the past or something you must release, and is drawn from The Scarecrow of Oz by L. Frank Baum:

be anywhere at all in the wonderful fairyland of Oz that I think I'm the luckiest girl in all the world. Dorothy lives in the Em'rald City, you know, and so does the Scarecrow and the Tin Woodman and Tik-Tok and the Shaggy Man -- and all the rest of 'em that we've heard so much about -- not to mention Ozma, who must be the sweetest and loveliest girl in all the world!"

"Take your time, Trot," advised Button-Bright. "You don't have to say it all in one breath, you know. And you haven't mentioned half of the curious people in the Em'rald City."


The Scarecrow of Oz
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar:

where work was to be had as cigar-makers. There is money, plenty of it, in cigar-making, if one can get in the right place. Of late, however, there had been a general slackness of the trade. Last winter oftentimes Sylves' had walked the streets out of work. Many were the Creole boys who had gone to Chicago to earn a living, for the cigar-making trade flourishes there wonderfully. Friends of Sylves' had gone, and written home glowing accounts of the money to be had almost for the asking. When one's blood leaps for new scenes, new adventures, and one needs money, what is the use of frittering away time alternately between the Bayou Teche and New Orleans? Sylves' had brooded all


The Goodness of St. Rocque and Other Stories
The third excerpt represents the future or something you must embrace, and is drawn from My Aunt Margaret's Mirror by Walter Scott:

that were dear to his affections.

When I have indulged such thoughts for a minute or two, I enter the mansion, which is said to have been the gate-house only of the original building, and find one being on whom time seems to have made little impression; for the Aunt Margaret of to-day bears the same proportional age to the Aunt Margaret of my early youth that the boy of ten years old does to the man of (by'r Lady!) some fifty-six years. The old lady's invariable costume has doubtless some share in confirming one in the opinion that time has stood still with Aunt Margaret.

The brown or chocolate-coloured silk gown, with ruffles of the