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Today's Stichomancy for Ron Howard

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

perhaps there were no beasts to fear, or rather to avoid--Tara of Helium liked not the word fear. She would have been glad, however, had there been a cabin, even a very tiny cabin, upon her small flier; but there was no cabin. The interior of the hull was completely taken up by the buoyancy tanks. Ah, she had it! How stupid of her not to have thought of it before! She could moor the craft to the tree beneath which it rested and let it rise the length of the rope. Lashed to the deck rings she would then be safe from any roaming beast of prey that chanced along. In the morning she could drop to the ground again before the craft was discovered.


The Chessmen of Mars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The People That Time Forgot by Edgar Rice Burroughs:

could have conquered Caspak.

Nobs and I followed to the summit of the pass, and there we saw the party defiling into the Galu country, the level of which was not, on an average, over fifty feet below the summit of the cliffs and about a hundred and fifty feet above the adjacent Kro-lu domain. Immediately the landscape changed. The trees, the flowers and the shrubs were of a hardier type, and I realized that at night the Galu blanket might be almost a necessity. Acacia and eucalyptus predominated among the trees; yet there were ash and oak and even pine and fir and hemlock. The tree-life was riotous. The forests were dense and peopled


The People That Time Forgot
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The New Machiavelli by H. G. Wells:

either of us at the outset. To begin with, I found myself reserving myself from her, then slowly apprehending a jarring between our minds and what seemed to me at first a queer little habit of misunderstanding in her. . . .

It did not hinder my being very fond of her. . . .

Where our system of reservation became at once most usual and most astounding was in our personal relations. It is not too much to say that in that regard we never for a moment achieved sincerity with one another during the first six years of our life together. It goes even deeper than that, for in my effort to realise the ideal of my marriage I ceased even to attempt to be sincere with myself. I

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Essays of Travel by Robert Louis Stevenson:

time to understand the nature of emigration. Day by day throughout the passage, and thenceforward across all the States, and on to the shores of the Pacific, this knowledge grew more clear and melancholy. Emigration, from a word of the most cheerful import, came to sound most dismally in my ear. There is nothing more agreeable to picture and nothing more pathetic to behold. The abstract idea, as conceived at home, is hopeful and adventurous. A young man, you fancy, scorning restraints and helpers, issues forth into life, that great battle, to fight for his own hand. The most pleasant stories of ambition, of difficulties overcome, and of ultimate success, are but as episodes to this great epic of self-help. The epic is composed of