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Today's Stichomancy for Ron Howard

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Flower Fables by Louisa May Alcott:

And now Bud left the old forest far behind her. Golden-Wing bore her swiftly along, and she looked down on the green mountains, and the peasant's cottages, that stood among overshadowing trees; and the earth looked bright, with its broad, blue rivers winding through soft meadows, the singing birds, and flowers, who kept their bright eyes ever on the sky.

And she sang gayly as they floated in the clear air, while her friend kept time with his waving wings, and ever as they went along all grew fairer; and thus they came to Fairy-Land.

As Bud passed through the gates, she no longer wondered that the exiled Fairies wept and sorrowed for the lovely home they had lost.


Flower Fables
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from On Horsemanship by Xenophon:

has his eyes fixed on the straight course after making a turn, is the time to urge him to full speed. In battle, obviously, these turns and wheelings are with a view to charging or retiring; consequently, to practise quickening the pace after wheeling is desirable. When the horse seems to have had enough of the manege, it would be good to give him a slight pause, and then suddenly to put him to his quickest, away from his fellows first,[21] and now towards them; and then again to quiet him down in mid-career as short as possible;[22] and from halt once more to turn him right-about and off again full charge. It is easy to predict that the day will come when there will be need of each of these manouvres.


On Horsemanship
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from On Horsemanship by Xenophon:

o Panaiti, ouk elate pros to dexion keras};

bears the name.

[3] Lit. "and carved on the pedestal a representation of his own performances."

As our first topic we shall deal with the question, how a man may best avoid being cheated in the purchase of a horse.

Take the case of a foal as yet unbroken: it is plain that our scrutiny must begin with the body; an animal that has never yet been mounted can but present the vaguest indications of spirit. Confining ourselves therefore to the body, the first point to examine, we maintain, will be the feet. Just as a house would be of little use, however beautiful


On Horsemanship
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Michael Strogoff by Jules Verne:

ter to try, even on foot, to reach some small town, and there procure a horse at any price? This was the only thing to be done; and Michael, leaving the Obi, went forward to the right of Kolyvan.

The firing had now increased in violence. Flames soon sprang up on the left of the town. Fire was devouring one entire quarter of Kolyvan.

Michael was running across the steppe endeavoring to gain the covert of some trees when a detachment of Tartar cavalry appeared on the right. He dared not continue in that direction. The horsemen advanced rapidly, and it