The first excerpt represents the past or something you must release, and is drawn from Almayer's Folly by Joseph Conrad: authorities of the desultory warfare carried on by the Arabs and
the Rajah with the up-river Dyak tribes.
To Reshid's great surprise the Rajah received his complaints very
coldly, and showed no signs of vengeful disposition towards the
white man. In truth, Lakamba knew very well that Almayer was
perfectly innocent of any meddling in state affairs; and besides,
his attitude towards that much persecuted individual was wholly
changed in consequence of a reconciliation effected between him
and his old enemy by Almayer's newly-found friend, Dain Maroola.
Almayer had now a friend. Shortly after Reshid's departure on
his commercial journey, Nina, drifting slowly with the tide in
 Almayer's Folly |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Maid Marian by Thomas Love Peacock: and without giving him time to deliberate on the courtesy of fighting
with the lady of his love, she raised her sword in the air, and lowered
it on his head with an impetus that would have gone nigh to fathom
even that extraordinary depth of brain which always by divine grace
furnishes the interior of a head-royal, if he had not very dexterously
parried the blow. Prince John wished to disarm and take captive,
not in any way to wound or injure, least of all to kill, his fair opponent.
Matilda was only intent to get rid of her antagonist at any rate:
the edge of her weapon painted his complexion with streaks of very
unloverlike crimson, and she would probably have marred John's hand
for ever signing Magna Charta, but that he was backed by the advantage
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The third excerpt represents the future or something you must embrace, and is drawn from King Lear by William Shakespeare: To foreign casualties, gave her dear rights
To his dog-hearted daughters- these things sting
His mind so venomously that burning shame
Detains him from Cordelia.
Gent. Alack, poor gentleman!
Kent. Of Albany's and Cornwall's powers you heard not?
Gent. 'Tis so; they are afoot.
Kent. Well, sir, I'll bring you to our master Lear
And leave you to attend him. Some dear cause
Will in concealment wrap me up awhile.
When I am known aright, you shall not grieve
 King Lear |