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Today's Stichomancy for Ronald Reagan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Babbitt by Sinclair Lewis:

not invited by them to dinner, he was yet accustomed to talking with bank-presidents, congressmen, and clubwomen who entertained poets. He was bright and referential with McKelvey:

"Say, Charley, juh remember in Junior year how we chartered a sea-going hack and chased down to Riverdale, to the big show Madame Brown used to put on? Remember how you beat up that hick constabule that tried to run us in, and we pinched the pants-pressing sign and took and hung it on Prof. Morrison's door? Oh, gosh, those were the days!"

Those, McKelvey agreed, were the days.

Babbitt had reached "It isn't the books you study in college but the friendships you make that counts" when the men at head of the table broke into

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Art of War by Sun Tzu:

[Less plausible is the interpretation favored by most of the commentators: "If sovereign and subject are in accord, put division between them."]

24. Attack him where he is unprepared, appear where you are not expected. 25. These military devices, leading to victory, must not be divulged beforehand. 26. Now the general who wins a battle makes many calculations in his temple ere the battle is fought.

[Chang Yu tells us that in ancient times it was customary for a temple to be set apart for the use of a general who was


The Art of War
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Complete Poems of Longfellow by Henry Wadsworth Longfellow:

The omen they beheld. Had the good-man Of the Gothic people Champions chosen, Of those that keenest He might find, Some fifteen men. The sea-wood sought he. The warrior showed, Sea-crafty man! The land-marks,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Lone Star Ranger by Zane Grey:

met his gaze. He had startled Laramie out of his habitual set taciturnity; but even as he looked the light that might have been amaze and joy faded out of his face, leaving it the same old mask. Still Duane had seen enough. Like a bloodhound he had a scent.

"Talking about work, Laramie, who'd you say Snecker worked for?"

"I didn't say."

"Well, say so now, can't you? Laramie, you're powerful peevish to-day. It's that bump on your head. Who does Snecker work for?"


The Lone Star Ranger