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Today's Stichomancy for Rose McGowan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Art of War by Sun Tzu:

reasons for any order. Lord Mansfield once told a junior colleague to "give no reasons" for his decisions, and the maxim is even more applicable to a general than to a judge.]

When the outlook is bright, bring it before their eyes; but tell them nothing when the situation is gloomy. 58. Place your army in deadly peril, and it will survive; plunge it into desperate straits, and it will come off in safety.

[These words of Sun Tzu were once quoted by Han Hsin in explanation of the tactics he employed in one of his most brilliant battles, already alluded to on p. 28. In 204 B.C., he was sent against the army of Chao, and halted ten miles from the


The Art of War
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Trooper Peter Halket of Mashonaland by Olive Schreiner:

sick of this humbugging fighting. If we'd had a few men like the Curries and Bowkers of the old days up here from the first, all this would never have happened. And there's no knowing when a reason won't turn up for keeping the bloody thing on or stopping it off for a time, to break out just when one's settled down to work. It's a damned convenient thing to have a war like this to turn on and off."

Slowly the third man keeled round on to his stomach again: "Let resignation wait. We fight the Matabele again tomorrow," he said, sententiously.

A low titter ran round the group. Even the man under the bushes, though his eyes were still closed and his arm across his face, let his mouth relax

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Facino Cane by Honore de Balzac:

of my broken sword so hard, that they could only have taken it from me by cutting off my hand at the wrist. A curious chance, or rather the instinct of self-preservation, led me to hide the fragment of the blade in a corner of my cell, as if it might still be of use. They tended me; none of my wounds were serious. At two-and-twenty one can recover from anything. I was to lose my head on the scaffold. I shammed illness to gain time. It seemed to me that the canal lay just outside my cell. I thought to make my escape by boring a hole through the wall and swimming for my life. I based my hopes on the following reasons.

"Every time that the jailer came with my food, there was light enough

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Wrong Box by Stevenson & Osbourne:

never see a man in such a state. Everybody about that van was mortal, bar the horses. Some gen'leman (as well as I could make out) had given the vanman a sov.; and so that was where the trouble come in, you see.'

'But what did he say?' gasped Morris.

'I don't know as he SAID much, sir,' said Bill. 'But he offered to fight this Pitman for a pot of beer. He had lost his book, too, and the receipts, and his men were all as mortal as himself. O, they were all like'--and Bill paused for a simile--'like lords! The superintendent sacked them on the spot.'

'O, come, but that's not so bad,' said Morris, with a bursting