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Today's Stichomancy for Rudi Bakhtiar

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Weir of Hermiston by Robert Louis Stevenson:

quarters of John Calvin. What else is there? Speak up. Have ye got nothing of your own?"

"Father, let me go to the Peninsula," said Archie. "That's all I'm fit for - to fight."

"All? quo' he!" returned the Judge. "And it would be enough too, if I thought it. But I'll never trust ye so near the French, you that's so Frenchi-feed."

"You do me injustice there, sir," said Archie. "I am loyal; I will not boast; but any interest I may have ever felt in the French - "

"Have ye been so loyal to me?" interrupted his father.

There came no reply.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Laches by Plato:

shall not be annoyed at having to learn of him: for I too agree with Solon, 'that I would fain grow old, learning many things.' But I must be allowed to add 'of the good only.' Socrates must be willing to allow that he is a good teacher, or I shall be a dull and uncongenial pupil: but that the teacher is younger, or not as yet in repute--anything of that sort is of no account with me. And therefore, Socrates, I give you notice that you may teach and confute me as much as ever you like, and also learn of me anything which I know. So high is the opinion which I have entertained of you ever since the day on which you were my companion in danger, and gave a proof of your valour such as only the man of merit can give. Therefore, say whatever you like, and do not mind about the difference of our ages.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Last War: A World Set Free by H. G. Wells:

visibly revolutionising the conditions of industrial production, population was streaming steadily in from the country-side and concentrating in hitherto unthought-of masses about a few city centres, food was coming to them over enormous distances upon a scale that made the one sole precedent, the corn ships of imperial Rome, a petty incident; and a huge migration of peoples between Europe and Western Asia and America was in Progress, and--nobody seems to have realised that something new had come into human life, a strange swirl different altogether from any previous circling and mutation, a swirl like the swirl when at last the lock gates begin to open after a long phase of


The Last War: A World Set Free
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ivanhoe by Walter Scott:

hand.

In an apartment, small indeed, but richly furnished with decorations of an Oriental taste, Rebecca was seated on a heap of embroidered cushions, which, piled along a low platform that surrounded the chamber, served, like the estrada of the Spaniards, instead of chairs and stools. She was watching the motions of her father with a look of anxious and filial affection, while he paced the apartment with a dejected mien and disordered step; sometimes clasping his hands together---sometimes casting


Ivanhoe