| The first excerpt represents the past or something you must release, and is drawn from The Great Gatsby by F. Scott Fitzgerald: train, and then another, before I could get myself away.
"I'll call you up," I said finally.
"Do, old sport."
"I'll call you about noon."
We walked slowly down the steps.
"I suppose Daisy'll call too." He looked at me anxiously, as if he
hoped I'd corroborate this.
"I suppose so."
"Well, good-by."
We shook hands and I started away. Just before I reached the hedge I
remembered something and turned around.
 The Great Gatsby |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Woman of No Importance by Oscar Wilde: think, somehow, you don't mean what you said to me.
MRS. ALLONBY. Aren't you coming?
LORD ILLINGWORTH. In a few moments. Lady Hunstanton, if Mrs.
Arbuthnot would allow me, I would like to say a few words to her,
and we will join you later on.
LADY HUNSTANTON. Ah, of course. You will have a great deal to say
to her, and she will have a great deal to thank you for. It is not
every son who gets such an offer, Mrs. Arbuthnot. But I know you
appreciate that, dear.
LADY CAROLINE. John!
LADY HUNSTANTON. Now, don't keep Mrs. Arbuthnot too long, Lord
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The third excerpt represents the future or something you must embrace, and is drawn from The Circular Staircase by Mary Roberts Rinehart: when there was no longer any doubt that it was Halsey, and that
he would probably recover, we all laughed and cried together. I
am sure I kissed Liddy, and I have had terrible moments since
when I seem to remember kissing Mr. Jamieson, too, in the
excitement.
Anyhow, by eleven o'clock that night Gertrude was on her way to
Johnsville, three hundred and eighty miles away, accompanied by
Rosie. The domestic force was now down to Mary Anne and Liddy,
with the under-gardener's wife coming every day to help out.
Fortunately, Warner and the detectives were keeping bachelor hall
in the lodge. Out of deference to Liddy they washed their dishes
 The Circular Staircase |