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Today's Stichomancy for Rush Limbaugh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Glasses by Henry James:

distance less appreciable, and I was not without an impression that Mrs. Meldrum, whose sense of proportion was not the least of her merits, had no idea of boring the world with the ups and downs of her pensioner. The poor girl grew dusky and dim, a small fitful memory, a regret tempered by the comfortable consciousness of how kind Mrs. Meldrum would always be to her. I was professionally more preoccupied than I had ever been, and I had swarms of pretty faces in my eyes and a chorus of loud tones in my ears. Geoffrey Dawling had on his return to England written me two or three letters: his last information had been that he was going into the figures of rural illiteracy. I was delighted to receive it and had

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Gettysburg Address by Abraham Lincoln:

we cannot hallow this ground. The brave men, living and dead, who struggled here have consecrated it, far above our poor power to add or detract. The world will little note, nor long remember, what we say here, but it can never forget what they did here.

It is for us the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us. . .that from these honored dead we take increased devotion to that cause for which they gave the last full measure of devotion. . . that we here highly resolve that these dead shall not have died in vain. . . that this nation, under God, shall have a new birth of freedom. . .

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Merry Men by Robert Louis Stevenson:

shoulders, and carried me down to the great gate, where the cart was waiting. In the moonlight the hills stood out sharply, as if they were of cardboard; on the glimmering surface of the plateau, and from among the low trees which swung together and sparkled in the wind, the great black cube of the residencia stood out bulkily, its mass only broken by three dimly lighted windows in the northern front above the gate. They were Olalla's windows, and as the cart jolted onwards I kept my eyes fixed upon them till, where the road dipped into a valley, they were lost to my view forever. Felipe walked in silence beside the shafts, but from time to time he would cheek the mule and seem to look back upon me; and at length drew

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from War and the Future by H. G. Wells:

infantry drill in close formation had now no fighting value whatever, that it was no doubt extremely necessary for the handling, packing, forwarding and distribution of men, but that the ideal infantry fighter was now a highly individualised and self-reliant man put into a pit with a machine gun, and supported by a string of other men bringing him up supplies and ready to assist him in any forward rush that might be necessary.

The opening phases of the war seemed to contradict this. It did not at first suit the German game to fight on this most modern theory, and isolated individual action is uncongenial to the ordinary German temperament and opposed to the organised social