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Today's Stichomancy for Rush Limbaugh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Twelve Stories and a Dream by H. G. Wells:

own 'ouse--got it out of the Building Society, and cheap because the chap who had it before was a burglar and in prison--and they 'ad a bit of free'old land, and some cottages and money 'nvested--all nice and tight: they was what you'd call snug and warm. I tell you, I was On. Furniture too. Why! They 'ad a pianner. Jane--'er name was Jane--used to play it Sundays, and very nice she played too. There wasn't 'ardly a 'im toon in the book she COULDN'T play . . .

"Many's the evenin' we've met and sung 'ims there, me and 'er and the family.

"'Er father was quite a leadin' man in chapel. You should ha' seen him Sundays, interruptin' the minister and givin' out 'ims. He had

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Vailima Letters by Robert Louis Stevenson:

drones in after; we make a show of eating - or I do - she goes to bed about half-past six! I write some verses, read Irving's WASHINGTON, and follow about half-past eight. O, one thing more I did, in a prophetic spirit. I had made sure Fanny was not fit to be left alone, and wrote before turning in a letter to Chalmers, telling him I could not meet him in Auckland at this time. By eleven at night, Fanny got me wakened - she had tried twice in vain - and I found her very bad. Thence till three, we laboured with mustard poultices, laudanum, soda and ginger - Heavens! wasn't it cold; the land breeze was as cold as a river; the moon was glorious in the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Varieties of Religious Experience by William James:

stick to non-personal elements exclusively seems like saying that we ought to be satisfied forever with reading the naked bill of fare. I think, therefore, that however particular questions connected with our individual destinies may be answered, it is only by acknowledging them as genuine questions, and living in the sphere of thought which they open up, that we become profound. But to live thus is to be religious; so I unhesitatingly repudiate the survival-theory of religion, as being founded on an egregious mistake. It does not follow, because our ancestors made so many errors of fact and mixed them with their religion, that we should therefore leave off being

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ballads by Robert Louis Stevenson:

And spat in his ear a command, and pointed and uttered a name, And hid in the shade of the house his impotent anger and shame.

Now Tamatea the fool was far on the homeward way, The rising night in his face, behind him the dying day. Rahero saw him go by, and the heart of Rahero was glad, Devising shame to the king and nowise harm to the lad; And all that dwelt by the way saw and saluted him well, For he had the face of a friend and the news of the town to tell; And pleased with the notice of folk, and pleased that his journey was done, Tamatea drew homeward, turning his back to the sun.

And now was the hour of the bath in Taiarapu: far and near


Ballads