Today's Stichomancy for Rush Limbaugh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs:

thought of the new day, as the last of yesterday, was of the wonderful writing which lay hidden in his quiver.

Hurriedly he brought it forth, hoping against hope that he could read what the beautiful white girl had written there the preceding evening.

At the first glance he suffered a bitter disappointment; never before had he so yearned for anything as now he did for the ability to interpret a message from that golden-haired divinity who had come so suddenly and so unexpectedly into his life.

What did it matter if the message were not intended for

Tarzan of the Apes

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Journal of the Plague Year by Daniel Defoe:

least, calculating it from the usual number of funerals in that parish, as above.

Till this week the city continued free, there having never any died, except that one Frenchman whom I mentioned before, within the whole ninety-seven parishes. Now there died four within the city, one in Wood Street, one in Fenchurch Street, and two in Crooked Lane. Southwark was entirely free, having not one yet died on that side of the water.

I lived without Aldgate, about midway between Aldgate Church and Whitechappel Bars, on the left hand or north side of the street; and as the distemper had not reached to that side of the city, our

A Journal of the Plague Year

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Soul of a Bishop by H. G. Wells:

the chief subsc'iber," she said. "Before the 'ush comes." He had been so content to take all this for granted and think no more about it--more particularly to think no more about it--that for a time he entirely disregarded the intense decorative activities into which Lady Sunderbund incontinently plunged. Had he been inclined to remark them he certainly might have done so, even though a considerable proportion was being thoughtfully veiled for a time from his eyes.

For example, there was the young architect with the wonderful tie whom he met once or twice at lunch in the Hyde Park flat. This young man pulled the conversation again and again, Lady

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Barnaby Rudge by Charles Dickens:

past all expression.

It was the voice of Miggs that greeted the locksmith, when he knocked at his own house, with a shrill cry of 'Who's there?'

'Me, girl, me,' returned Gabriel.

What, already, sir!' said Miggs, opening the door with a look of surprise. 'We were just getting on our nightcaps to sit up,--me and mistress. Oh, she has been SO bad!'

Miggs said this with an air of uncommon candour and concern; but the parlour-door was standing open, and as Gabriel very well knew for whose ears it was designed, he regarded her with anything but an approving look as he passed in.

Barnaby Rudge