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Today's Stichomancy for Rush Limbaugh

The first excerpt represents the past or something you must release, and is drawn from The Tin Woodman of Oz by L. Frank Baum:

"Oh, yes; the hay," said Woot. "What are you waiting for, Captain Fyter?"

At once the Tin Soldier set to work cutting hay with his sword and in a few minutes there was quite enough with which to stuff the Scarecrow's body. Woot and Polychrome did this and it was no easy task because the hay packed together more than straw and as they had little experience in such work their job, when completed, left the Scarecrow's arms and legs rather bunchy. Also there was a hump on his back which made Woot laugh and say it reminded him of a camel, but it


The Tin Woodman of Oz
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Soul of the Far East by Percival Lowell:

nature is sympathetically sentient. His admiration, instead of being centred on man, embraces the universe. His art reflects it.

Leaving out of consideration, for the moment, minor though still important distinctions in tone, treatment, and technique, the great fundamental difference between Western and Far Eastern art lies in its attitude toward humanity.

With us, from the time of the Greeks to the present day, man has been the cynosure of artistic eyes; with them he has never been vouchsafed more than a casual, not to say a cursory glance, even woman failing to rivet his attention. One of our own writers has said that, without passing the bounds of due respect, a man is

The third excerpt represents the future or something you must embrace, and is drawn from God The Invisible King by H. G. Wells:

assimilable to the worship of the true God of mankind.

It is too often supposed that the religious tendency of the East is entirely towards other-worldness, to a treatment of this life as an evil entanglement and of death as a release and a blessing. It is too easily assumed that Eastern teaching is wholly concerned with renunciation, not merely of self but of being, with the escape from all effort of any sort into an exalted vacuity. This is indeed neither the spirit of China nor of Islam nor of the every-day life of any people in the world. It is not the spirit of the Sikh nor of these newer developments of Hindu thought. It has never been the spirit of Japan. To-day less than ever does Asia seem disposed to