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Today's Stichomancy for Rush Limbaugh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Somebody's Little Girl by Martha Young:

to the gay music, and looking at the children in their prettiest clothes, and at the nurses rolling the babies in the pretty carriages with the beautiful pink, and white, and blue parasols over the babies' heads.

Then Sister Helen Vincula said: ``Bessie Bell, I am going across the long bridge to see some ladies and to tell them Good-bye, because we are going away tomorrow.

And Sister Helen Vincula said: ``Now, will you stay right here on this stone bench till I come back for you?''

Bessie Bell said, ``Yes, Sister Helen Vincula.''

So Sister Helen Vincula went away across the long bridge to see the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The First Men In The Moon by H. G. Wells:

hand to restore our pressure. We looked at one another in silence, and then at the fantastic vegetation that swayed and grew visibly and noiselessly without. And ever that shrill piping continued.

My blood-vessels began to throb in my ears, and the sound of Cavor's movements diminished. I noted how still everything had become, because of the thinning of the air.

As our air sizzled out from the screw the moisture of it condensed in little puffs.

Presently I experienced a peculiar shortness of breath that lasted indeed during the whole of the time of our exposure to the moon's exterior atmosphere, and a rather unpleasant sensation about the ears and


The First Men In The Moon
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tom Sawyer Abroad by Mark Twain:

that for him. There's plenty of boys that will come hankering and groveling around you when you've got an apple and beg the core off of you; but when they've got one, and you beg for the core and remind them how you give them a core one time, they say thank you 'most to death, but there ain't a-going to be no core. But I notice they always git come up with; all you got to do is to wait.

Well, we went out in the woods on the hill, and Tom told us what it was. It was a crusade.

"What's a crusade?" I says.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Figure in the Carpet by Henry James:

brain. Of course he knew; otherwise he wouldn't return my stare so queerly. His wife had told him what I wanted and he was amiably amused at my impotence. He didn't laugh - he wasn't a laugher: his system was to present to my irritation, so that I should crudely expose myself, a conversational blank as vast as his big bare brow. It always happened that I turned away with a settled conviction from these unpeopled expanses, which seemed to complete each other geographically and to symbolise together Drayton Deane's want of voice, want of form. He simply hadn't the art to use what he knew; he literally was incompetent to take up the duty where Corvick had left it. I went still further - it was the only