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Today's Stichomancy for Russell Crowe

The first excerpt represents the past or something you must release, and is drawn from Lin McLean by Owen Wister:

diocese?--he forbore to make any text from that last sentence the cow-puncher had spoken. Lin talked cheerfully on about what he should now do. The round-up must be somewhere near Du Noir Creek. He would join it this season, but next he should work over to the Powder River country. More business was over there, and better chances for a man to take up some land and have a ranch of his own. As they got out at Fort Washakie, the bishop handed him a small book, in which he had turned several leaves down, carefully avoiding any page that related of miracles.

"You need not read it through, you know," he said, smiling; "just read where I have marked, and see if you don't find some more facts. Goodbye-- and always come and see me."

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Criminal Sociology by Enrico Ferri:

unfortunate beings who are diseased like himself.''

It would be impossible to put more clearly the pure classical theory on crime and punishment; but perhaps it would be equally impossible to show less solicitude for social defence against criminal attacks. For it is certain that the mad murderer ``has committed no crime'' from the ethical and legal point of view of the classical school; but it is still more certain that there is a dead man, and a family left behind who may be ruined by the deed, and it is very probable that this homicide, ``innocent before the law,''

will renew his outrage on other victims--and at any rate they are innocent.

The third excerpt represents the future or something you must embrace, and is drawn from The Duchesse de Langeais by Honore de Balzac:

keeping; in the eye of the law it will be a sufficient explanation of my death. You can avenge yourself, and fear nothing from God or men."

"What good would the letter be to me? What would life be if I had lost your love? If I wished to kill you, should I not be ready to follow? No; thank you for the thought, but I do not want the letter. Should I not begin to dread that you were faithful to me through fear? And if a man knows that he must risk his life for a stolen pleasure, might it not seem more tempting? Armand, the thing I ask of you is the one hard thing to do."