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Today's Stichomancy for Russell Crowe

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Memorabilia by Xenophon:

that as long as they were companions of Socrates even they were temperate, not assuredly from fear of being fined or beaten by Socrates, but because they were persuaded for the nonce of the excellence of such conduct.

[6] {sophrosune} = "sound-mindedness," "temperence." See below, IV. iii. 1.

Perhaps some self-styled philosophers[7] may here answer: "Nay, the man truly just can never become unjust, the temperate man can never become intemperate, the man who has learnt any subject of knowledge can never be as though he had learnt it not." That, however, is not my own conclusion. It is with the workings of the soul as with those of


The Memorabilia
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Fanny Herself by Edna Ferber:

Inn, to the tiny one-room cabin of Oscar, the handy man about the Inn, and there she listened to one of Oscar's far- famed phonograph concerts. Oscar's phonograph had cost twenty-five dollars in Denver. It stood in one corner of his cabin, and its base was a tree stump just five hundred years old, as you could tell for yourself by counting its rings. His cabin walls were gorgeous with pictures of Maxine Elliott in her palmy days, and blonde and sophisticated little girls on vinegar calendars, posing bare-legged and self-conscious in blue calico and sunbonnets. You sat in the warm yellow glow of Oscar's lamp


Fanny Herself
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Voyage to Abyssinia by Father Lobo:

I received now no benefit from bezoar, the horn of the unicorn, or any of the usual antidotes, but found myself obliged to make use of an extraordinary remedy, which I submitted to with extreme reluctance. This submission and obedience brought the blessing of Heaven upon me; nevertheless, I continued indisposed a long time, and had many symptoms which made me fear that all the danger was not yet over. I then took cloves of garlic, though with a great aversion, both from the taste and smell. I was in this condition a whole month, always in pain, and taking medicines the most nauseous in the world. At length youth and a happy constitution surmounted the malignity, and I recovered my former health.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Gambara by Honore de Balzac:

story of /Robert le Diable/, to be sure, is not devoid of interest, and Holtei has worked it out with great skill in a drama that is very well written and full of strong and pathetic situations; but the French librettist has contrived to extract from it the most ridiculous farrago of nonsense. The absurdities of the libretti of Vesari and Schikander are not to compare with those of the words of Robert le Diable; it is a dramatic nightmare, which oppresses the hearer without deeply moving him.

"And Meyerbeer has given the devil a too prominent part. Bertram and Alice represent the contest between right and wrong, the spirits of good and evil. This antagonism offered a splendid opportunity to the


Gambara