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Today's Stichomancy for Saddam Hussein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Duchesse de Langeais by Honore de Balzac:

of brown curtain, left slightly apart in the middle in such a way that nothing of the choir could be seen from the church except the high altar and the officiating priest. The grating itself was divided up by the pillars which supported the organ loft; and this part of the structure, with its carved wooden columns, completed the line of the arcading in the gallery carried by the shafts in the nave. If any inquisitive person, therefore, had been bold enough to climb upon the narrow balustrade in the gallery to look down into the choir, he could have seen nothing but the tall eight-sided windows of stained glass beyond the high altar.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lady Windermere's Fan by Oscar Wilde:

electric bell, sits and writes card.]

LADY WINDERMERE. You are going to invite this woman? [Crossing to him.]

LORD WINDERMERE. Yes. [Pause. Enter PARKER.] Parker!

PARKER Yes, my lord. [Comes down L.C.]

LORD WINDERMERE. Have this note sent to Mrs. Erlynne at No. 84A Curzon Street. [Crossing to L.C. and giving note to PARKER.] There is no answer!

[Exit PARKER C.]

LADY WINDERMERE. Arthur, if that woman comes here, I shall insult her.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

of human origin. From his position Bradley could not see the wings of his captor, nor in the darkness had he been able to examine those of the second creature closely when it circled before him. He listened for the puff of a motor or some other telltale sound that would prove the correctness of his theory. However, he was rewarded with nothing more than the constant flap-flap.

Presently, far below and ahead, he saw the waters of the inland sea, and a moment later he was borne over them. Then his captor did that which proved beyond doubt to Bradley that he was in the hands of human beings who had devised an almost perfect scheme of


Out of Time's Abyss
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Complete Poems of Longfellow by Henry Wadsworth Longfellow:

Of the landscape lying so far below, With its towns and rivers and desert places; And the splendor of light above, and the glow Of the limitless, blue, ethereal spaces.

Ask him if songs of the Troubadours, Or of Minnesingers in old black-letter, Sound in his ears more sweet than yours, And if yours are not sweeter and wilder and better.

Sing to him, say to him, here at his gate, Where the boughs of the stately elms are meeting, Some one hath lingered to meditate,