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Today's Stichomancy for Saddam Hussein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Light of Western Stars by Zane Grey:

this soft-voiced, eloquent priest knew how to move the heart, stir the soul; but his defense, his praise of Stewart, if they had been couched in the crude speech of cowboys, would have been a glory to her.

"Senora, I pray you, do not misunderstand my mission. Beyond my confession to you I have only a duty to tell you of the man whose wife you are. But I am a priest and I can read the soul. The ways of God are inscrutable. I am only a humble instrument. You are a noble woman, and Senor Stewart is a man of desert iron forged anew in the crucible of love. Quien sabe? Senor Stewart swore he would kill me if I betrayed him. But he will not lift


The Light of Western Stars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Mistress Wilding by Rafael Sabatini:

head. He shrugged slightly and looked at Wentworth. "Finissons!" said he.

The word and the look snapped the trammels that bound Ruth's speech.

"Five minutes, my lord!" she cried imploringly. "Give him five minutes - and me, my lord!"

Wilding, deeply shaken, trembled now as he awaited Feversham's reply.

The Frenchman seemed to waver. "Bien," he began, spreading his hands. And in that moment a shot rang out in the night and startled the whole company. Feversham threw back his head; the signs of yielding left his face. "Ha!" he cried. "T'ey are arrive. He snatched his wig from his lacquey's hands, donned it, and turned again an instant to the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Ball at Sceaux by Honore de Balzac:

this occasion he was anxious not to compromise his dignity as a father. He daintily took a pinch of snuff, cleared his throat two or three times, as if he were about to demand a count out of the House; then he heard his daughter's light step, and she came in humming an air from Il Barbiere.

"Good-morning, papa. What do you want with me so early?" Having sung these words, as though they were the refrain of the melody, she kissed the Count, not with the familiar tenderness which makes a daughter's love so sweet a thing, but with the light carelessness of a mistress confident of pleasing, whatever she may do.

"My dear child," said Monsieur de Fontaine, gravely, "I sent for you

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pivot of Civilization by Margaret Sanger:

and the feeble-minded, thus protected, so we are assured, may even marry some brighter member of the community, and thus lessen the chances of procreating another generation of imbeciles. We read further that some of our doctors believe that ``in our social scale, there is a place for the good feeble-minded.''

In such a reckless and thoughtless differentiation between the ``bad'' and the ``good'' feeble-minded, we find new evidence of the conventional middle-class bias that also finds expression among some of the eugenists. We do not object to feeble-mindedness simply because it leads to immorality and criminality; nor can we approve of it when it expresses itself in docility, submissiveness and obedience.