| The first excerpt represents the past or something you must release, and is drawn from Glaucus/The Wonders of the Shore by Charles Kingsley: lifetime. For we must recollect that this hasty sketch has hardly
touched on that vegetable water-world, which is as wonderful and as
various as the animal one. A hint or two of the beauty of the sea-
weeds has been given; but space has allowed no more. Yet we might
have spent our time with almost as much interest and profit, had we
neglected utterly the animals which we have found, and devoted our
attention exclusively to the flora of the rocks. Sea-weeds are no
mere playthings for children; and to buy at a shop some thirty
pretty kinds, pasted on paper, with long names (probably mis-spelt)
written under each, is not by any means to possess a collection of
them. Putting aside the number and the obscurity of their species,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Foolish Virgin by Thomas Dixon: faith serene. She rose with a sense of peace and joy.
God would hear and answer the cry of her heart. The
City might be the Desert--it was still God's world and
not a sparrow that twittered in those bare trees or
chattered on her window-ledge in the morning could fall
to the ground without His knowledge. God had put this
deathless passion in her heart; He could not deny
it expression. She could bide His time. If the day of
her deliverance were near, it was good. If God should
choose to try her faith in loneliness and tears, it was
His way to make the revelation of glory the more
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The third excerpt represents the future or something you must embrace, and is drawn from The Picture of Dorian Gray by Oscar Wilde: The fantastic character of these instruments fascinated him, and he felt
a curious delight in the thought that art, like Nature, has her monsters,
things of bestial shape and with hideous voices. Yet, after some time,
he wearied of them, and would sit in his box at the opera, either alone
or with Lord Henry, listening in rapt pleasure to "Tannhauser" and seeing
in the prelude to that great work of art a presentation of the tragedy of
his own soul.
On one occasion he took up the study of jewels, and appeared
at a costume ball as Anne de Joyeuse, Admiral of France,
in a dress covered with five hundred and sixty pearls.
This taste enthralled him for years, and, indeed, may be said
 The Picture of Dorian Gray |