| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Madame Firmiani by Honore de Balzac: out, much dressed, rather rouged, charming manners; in short, my dear
fellow, the remains of a pretty woman who is still worth the trouble
of a passion." This remark is from the species Fop, who has just
breakfasted, doesn't weigh his words, and is about to mount his horse.
At that particular moment Fops are pitiless.
"Magnificent collection of pictures in her house; go and see them by
all means," answers another. "Nothing finer." You have questioned one
of the species Connoisseur. He leaves you to go to Perignon's or
Tripet's. To him, Madame Firmiani is a collection of painted canvases.
A Woman: "Madame Firmiani? I don't wish you to visit her>" This remark
is rich in meanings. Madame Firmiani! dangerous woman! a siren!
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Camille by Alexandre Dumas: of me. I saluted her casually with a glance of the eyes and a
wave of the hand.
When I reflected that after the ball she would go home, not with
me but with that rich fool, when I thought of what would follow
their return, the blood rose to my face, and I felt the need of
doing something to trouble their relations.
After the contredanse I went up to the mistress of the house, who
displayed for the benefit of her guests a dazzling bosom and
magnificent shoulders. She was beautiful, and, from the point of
view of figure, more beautiful than Marguerite. I realized this
fact still more clearly from certain glances which Marguerite
 Camille |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Plain Tales from the Hills by Rudyard Kipling: longer terms than five years at a stretch; because, if the landlord
had a tenant bound down for, say, twenty years, he would squeeze the
very life out of him. The notion was to keep up a stream of
independent cultivators in the Sub-Montane Tracts; and
ethnologically and politically the notion was correct. The only
drawback was that it was altogether wrong. A native's life in India
implies the life of his son. Wherefore, you cannot legislate for
one generation at a time. You must consider the next from the
native point of view. Curiously enough, the native now and then,
and in Northern India more particularly, hates being over-protected
against himself. There was a Naga village once, where they lived on
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Shadow Line by Joseph Conrad: the damned lot overboard!"
The profound silence returned, and when I
looked over my shoulder, Ransome--the intelli-
gent, serene Ransome--had vanished from my
side. The intense loneliness of the sea acted like
poison on my brain. When I turned my eyes to the
ship, I had a morbid vision of her as a floating
grave. Who hasn't heard of ships found floating,
haphazard, with their crews all dead? I looked at
the seaman at the helm, I had an impulse to speak
to him, and, indeed, his face took on an expectant
 The Shadow Line |