Today's Stichomancy for Salma Hayek

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pride and Prejudice by Jane Austen:

morning. Her dirty petticoat quite escaped my notice."

"YOU observed it, Mr. Darcy, I am sure," said Miss Bingley; "and I am inclined to think that you would not wish to see YOUR sister make such an exhibition."

"Certainly not."

"To walk three miles, or four miles, or five miles, or whatever it is, above her ankles in dirt, and alone, quite alone! What could she mean by it? It seems to me to show an abominable sort of conceited independence, a most country-town indifference to decorum."

"It shows an affection for her sister that is very pleasing," said

Pride and Prejudice

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tao Teh King by Lao-tze:

and repose are what he prizes; victory (by force of arms) is to him undesirable. To consider this desirable would be to delight in the slaughter of men; and he who delights in the slaughter of men cannot get his will in the kingdom.

3. On occasions of festivity to be on the left hand is the prized position; on occasions of mourning, the right hand. The second in command of the army has his place on the left; the general commanding in chief has his on the right;--his place, that is, is assigned to him as in the rites of mourning. He who has killed multitudes of men should weep for them with the bitterest grief; and the victor in battle has his place (rightly) according to those rites.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs:

as he grew older he spent hour upon hour daily speeding through the tree tops with his brothers and sisters.

He could spring twenty feet across space at the dizzy heights of the forest top, and grasp with unerring precision, and without apparent jar, a limb waving wildly in the path of an approaching tornado.

He could drop twenty feet at a stretch from limb to limb in rapid descent to the ground, or he could gain the utmost pinnacle of the loftiest tropical giant with the ease and swiftness of a squirrel.

Though but ten years old he was fully as strong as the

Tarzan of the Apes

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lesser Hippias by Plato:

the same reluctance is ascribed).

Hippias like Protagoras has common sense on his side, when he argues, citing passages of the Iliad in support of his view, that Homer intended Achilles to be the bravest, Odysseus the wisest of the Greeks. But he is easily overthrown by the superior dialectics of Socrates, who pretends to show that Achilles is not true to his word, and that no similar inconsistency is to be found in Odysseus. Hippias replies that Achilles unintentionally, but Odysseus intentionally, speaks falsehood. But is it better to do wrong intentionally or unintentionally? Socrates, relying on the analogy of the arts, maintains the former, Hippias the latter of the two alternatives...All this is quite conceived in the spirit of Plato, who