Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Salvador Dali

The first excerpt represents the past or something you must release, and is drawn from Black Beauty by Anna Sewell:

and got up our spirits by munching some very sweet apples which lay scattered on the grass.

11 Plain Speaking

The longer I lived at Birtwick the more proud and happy I felt at having such a place. Our master and mistress were respected and beloved by all who knew them; they were good and kind to everybody and everything; not only men and women, but horses and donkeys, dogs and cats, cattle and birds; there was no oppressed or ill-used creature that had not a friend in them, and their servants took the same tone. If any of the village children were known to treat any creature cruelly they soon heard about it from the Hall.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Complete Angler by Izaak Walton:

better rod and better tackling.

Piscator. Nay, then, take mine; and I will fish with yours. Look you, scholar, I have another. Come, do as you did before. And now I have a bite at another. Oh me! he has broke all: there's half a line and a good hook lost.

Venator. Ay, and a good Trout too.

Piscator. Nay, the Trout is not lost; for pray take notice, no man can lose what he never had.

Venator. Master, I can neither catch with the first nor second angle: I have no fortune.

Piscator. Look you, scholar, I have yet another. And now, having caught

The third excerpt represents the future or something you must embrace, and is drawn from A Prince of Bohemia by Honore de Balzac:

Palferine began one day. 'No greyhound, no basset-dog, no poodle can match her in gentleness, submissiveness, and complete tenderness. There are times when I reproach myself, when I take myself to task for my hard heart. Claudine obeys with saintly sweetness. She comes to me, I tell her to go, she goes, she does not even cry till she is out in the courtyard. I refuse to see her for a whole week at a time. I tell her to come at such an hour on Tuesday; and be it midnight or six o'clock in the morning, ten o'clock, five o'clock, breakfast time, dinner time, bed time, any particularly inconvenient hour in the day-- she will come, punctual to the minute, beautiful, beautifully dressed, and enchanting. And she is a married woman, with all the complications