Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Salvador Dali

The first excerpt represents the past or something you must release, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs:

men who masqueraded in the metal of his own house, for he had seen that these men were tricked out in the insignia that marked his personal followers.

Turning quickly toward his flier, he was soon rising from the plaza in pursuit of Thar Ban.

The red warrior whom he had put to flight turned in the entrance to the palace, and, seeing Carthoris' intent, snatched a rifle from those that he and his fellows had left leaning against the wall as they had rushed out with drawn swords to prevent the theft of their prisoner.

Few red men are good shots, for the sword is their


Thuvia, Maid of Mars
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Othello by William Shakespeare:

Enter.

Aemil. Alas, what do's this Gentleman conceiue? How do you Madam? how do you my good Lady? Des. Faith, halfe a sleepe

Aemi. Good Madam, What's the matter with my Lord? Des. With who? Aemil. Why, with my Lord, Madam? Des. Who is thy Lord? Aemil. He that is yours, sweet Lady

Des. I haue none: do not talke to me, aemilia,


Othello
The third excerpt represents the future or something you must embrace, and is drawn from Woman and Labour by Olive Schreiner:

fulfilment of that function. Under the mighty aegis of the woman who bears and rears offspring and in other directions labours greatly and actively for her race, creeps in gradually and unnoticed the woman who does none of these things. From the mighty labouring woman who bears human creatures to the full extent of her power, rears her offspring unaided, and performs at the same time severe social labour in other directions (and who is, undoubtedly, wherever found, the most productive toiler known to the race); it is but one step, though a long one, from this woman to the woman who produces offspring freely but does not herself rear them, and performs no compensatory social labour. While from this woman, again, to the one who bears few or no children, but who, whether as a wife or mistress, lives by