The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Burning Daylight by Jack London: he was thinking of buying it. His one-time investment in a
brickyard had put the idea into his head--an idea that he decided
was a good one, for it enabled him to suggest that she ride along
with him to inspect the quarry.
So several hours he spent in her company, in which she was much
the same girl as before, natural, unaffected, lighthearted,
smiling and laughing, a good fellow, talking horses with
unflagging enthusiasm, making friends with the crusty-tempered
Wolf, and expressing the desire to ride Bob, whom she declared
she was more in love with than ever. At this last Daylight
demurred. Bob was full of dangerous tricks, and he wouldn't
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Bureaucracy by Honore de Balzac: theory, but a system teeming with methods of execution. Celestine,
brightly enthusiastic, sprang into her husband's arms and sat upon his
knee in the chimney-corner.
"At last I find the husband of my dreams!" she cried. "My ignorance of
your real merit has saved you from des Lupeaulx's claws. I calumniated
you to him gloriously and in good faith."
The man wept with joy. His day of triumph had come at last. Having
labored for many years to satisfy his wife, he found himself a great
man in the eyes of his sole public.
"To one who knows how good you are, how tender, how equable in anger,
how loving, you are tenfold greater still. But," she added, "a man of
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from My Bondage and My Freedom by Frederick Douglass: characters of living light; and, on his part, he found, told out
in sound Saxon phrase, all those principles of justice and right
and liberty, which had dimly brooded over the dreams of his
youth, seeking definite forms and verbal expression. It must
have been an electric flashing of thought, and a knitting of
soul, granted to but few in this life, and will be a life-long
memory to those who participated in it. In the society,
moreover, of Wendell Phillips, Edmund Quincy, William Lloyd
Garrison, and other men of earnest faith and refined culture, Mr.
Douglass enjoyed the high advantage of their assistance and
counsel in the labor of self-culture, to which he now addressed
 My Bondage and My Freedom |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Alkahest by Honore de Balzac: are they not the happiest creatures of the feminine world? Can human
passion go beyond it? The glory of a woman is to be adored for a
defect. To forget that a lame woman does not walk straight may be the
glamour of a moment, but to love her because she is lame is the
deification of her defects. In the gospel of womanhood it is written:
"Blessed are the imperfect, for theirs is the kingdom of Love." If
this be so, surely beauty is a misfortune; that fugitive flower counts
for too much in the feeling that a woman inspires; often she is loved
for her beauty as another is married for her money. But the love
inspired or bestowed by a woman disinherited of the frail advantages
pursued by the sons of Adam, is true love, the mysterious passion, the
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