Today's Stichomancy for Samuel L. Jackson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Proposed Roads To Freedom by Bertrand Russell:

put into operation practically everyone would work; but although there is very much more to be said for this view than most people would concede at first sight, yet it is questionable whether there is enough to be said to make it true for practical purposes. Perhaps, in a community where industry had become habitual through economic pressure, public opinion might be sufficiently powerful to compel most men to work;[44] but it is always doubtful how far such a state of things would be permanent. If public opinion is to be really effective, it will be necessary

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Macbeth by William Shakespeare:

Where euery day I turne the Leafe, To reade them. Let vs toward the King: thinke vpon What hath chanc'd: and at more time, The Interim hauing weigh'd it, let vs speake Our free Hearts each to other

Banq. Very gladly

Macb. Till then enough: Come friends.

Exeunt.

Scena Quarta.

Macbeth

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Works of Samuel Johnson by Samuel Johnson:

to expose the levities of frankness; to waylay the walks of the cautious, and surprise the security of the thoughtless. Yet it is certain, that for many years I heard nothing but with design to tell it, and saw nothing with any other curiosity than after some failure that might furnish out a jest.

My heart, indeed, acquits me of deliberate malignity, or interested insidiousness. I had no other purpose than to heighten the pleasure of laughter by communication, nor ever raised any pecuniary advantage from the calamities of others. I led weakness

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tono Bungay by H. G. Wells:

and he wore them at various angles to his axis; his taste in trouserings was towards fairly emphatic stripes and his trouser cut was neat; he liked his frock-coat long and full, although that seemed to shorten him. He displayed a number of valuable rings, and I remember one upon his left little finger with a large red stone bearing Gnostic symbols. "Clever chaps, those Gnostics, George," he told me. "Means a lot. Lucky!" He never had any but a black mohair watch-chair. In the country he affected grey and a large grey cloth top-hat, except when motoring; then he would have a brown deer-stalker cap and a fur suit of esquimaux cut with a sort of boot-end to the trousers.