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Today's Stichomancy for Samuel L. Jackson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Resurrection by Leo Tolstoy:

the divergence was. It was so great and the defilement so complete that he despaired of the possibility of getting cleansed. "Have you not tried before to perfect yourself and become better, and nothing has come of it?" whispered the voice of the tempter within. "What is the use of trying any more? Are you the only one?--All are alike, such is life," whispered the voice. But the free spiritual being, which alone is true, alone powerful, alone eternal, had already awakened in Nekhludoff, and he could not but believe it. Enormous though the distance was between what he wished to be and what he was, nothing appeared insurmountable to the newly-awakened spiritual being.


Resurrection
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Democracy In America, Volume 2 by Alexis de Toqueville:

held by them, if they had been born amidst an aristocracy.

A similar observation is likewise applicable to all men living in democracies, whether they be poor or rich. Those who live in the midst of democratic fluctuations have always before their eyes the phantom of chance; and they end by liking all undertakings in which chance plays a part. They are therefore all led to engage in commerce, not only for the sake of the profit it holds out to them, but for the love of the constant excitement occasioned by that pursuit.

The United States of America have only been emancipated for half a century [in 1840] from the state of colonial dependence in

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Aspern Papers by Henry James:

are proud you will be on the right side." And she offered to show me their house to begin with--to row me thither in her gondola. I let her know that I had already been to look at it half a dozen times; but I accepted her invitation, for it charmed me to hover about the place. I had made my way to it the day after my arrival in Venice (it had been described to me in advance by the friend in England to whom I owed definite information as to their possession of the papers), and I had besieged it with my eyes while I considered my plan of campaign. Jeffrey Aspern had never been in it that I knew of; but some note of his voice seemed to abide there by a roundabout implication, a faint reverberation.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Shakespeare's Sonnets by William Shakespeare:

Which husbandry in honour might uphold, Against the stormy gusts of winter's day And barren rage of death's eternal cold? O! none but unthrifts. Dear my love, you know, You had a father: let your son say so.

XIV

Not from the stars do I my judgement pluck; And yet methinks I have astronomy, But not to tell of good or evil luck, Of plagues, of dearths, or seasons' quality; Nor can I fortune to brief minutes tell,