| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Rinkitink In Oz by L. Frank Baum: opening his own door into the corridor, for it seems
that the boy's room, which was the middle one, whirled
around on a pivot, while the adjoining rooms occupied
by Bilbil and Rinkitink remained stationary. The little
King also found a breakfast magically served in his
room, and while he was eating it, Klik came to him and
stated that His Majesty, King Kaliko, desired his
presence in the royal cavern.
So Rinkitink, having first made sure that the Pink
Pearl was still in his vest pocket, willingly followed
Klik, who ran on some distance ahead. But no sooner had
 Rinkitink In Oz |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Master of the World by Jules Verne: occupied as he said. Leading the horses by the bridle, while they
dragged the empty carriage, we proceeded through the heavy woods. The
tall pines, the stalwart oaks, the cypress scattered here and there,
made the evening darker overhead. Beneath our feet spread a carpet of
scattered herbs, pine needles and dead leaves. Such was the thickness
of the upper foliage that the last rays of the setting sun could no
longer penetrate here. We had to feel our way; and it was not without
some knocks that the carriage reached the clearing ten minutes later.
This clearing, surrounded by great trees, formed a sort of oval,
covered with rich grass. Here it was still daylight, and the darkness
would scarcely deepen for over an hour. There was thus time to
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Spirit of the Border by Zane Grey: the only buffalo he had seen were the few which stood on the river banks as
the raft passed down the Ohio. He would surely get a shot at one of these huge
fellows.
Wetzel bade Joe do exactly as he did, whereupon he dropped on his hands and
knees and began to crawl through the long grass. This was easy for the hunter,
but very bard for the lad to accomplish. Still, he managed to keep his comrade
in sight, which was a matter for congratulation, because the man crawled as
fast as he walked. At length, after what to Joe seemed a very long time, the
hunter paused.
"Are we near enough?" whispered Joe, breathlessly.
"Nope. We're just circlin' on 'em. The wind's not right, an' I'm afeered
 The Spirit of the Border |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Summer by Edith Wharton: again till they reached the outskirts of the village.
Then he let the reins droop on the dashboard and drew
out his watch.
"Charity," he said, "you look fair done up, and North
Dormer's a goodish way off. I've figured out that we'd
do better to stop here long enough for you to get
a mouthful of breakfast and then drive down to Creston
and take the train."
She roused herself from her apathetic musing. "The
train--what train?"
Mr. Royall, without answering, let the horse jog on
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